1. Individual and Organizational Correspondence. 1925, 1930-1933, 1937, 1941-1979, 2004.
The breadth of the Individual and Organizational Correspondence series is reflective
of Hayward's many interests and associations. Of particular note are the three boxes
of communications with Clair L. "Red" Stong and the multiple John D. Strong correspondence
files. Exchanges with Linus Pauling, Dennis Flanagan and Albert G. Ingalls are also
organized within this series, as are nearly thirty years worth of letters documenting
Hayward's long association with the book publishers W. H. Freeman & Co.
18 boxes
1.001.
Correspondence: A - Be. 1933, 1937, 1955-1977. 13 folders
1.1.
Astronomical Society of the Pacific. 1960, 1963-1966, 1974-1975.
1.2.
Assorted Correspondence: A. 1951-1952, 1954-1956, 1958, 1961-1965, 1969-1973.
1.3.
Babcock, Henry A. 1960, 1970, 1974, 1976.
1.4.
Badger, Richard M. and Virginia. 1960-1961, 1965, 1967, 1974-1977.
File includes correspondence with Anthony S. Badger.
1.5.
Bakelew, James T. 1958, 1961, 1965, 1969.
Bakelew was a patent attorney whose services were retained by Hayward. The Bakelew
file contains untitled sketches of a film projection apparatus proposed by Hayward
in June 1961.
1.6.
Barr, Stephen. 1962.
1.7.
Baxter, Frances. 1959-1963, 1965.
File contains original artworks by Frances Baxter.
1.8.
Baxter, Frances. 1969-1970, 1972-1976.
File contains original artworks by Frances Baxter.
1.9.
Beadle, George W. 1961-1962.
1.10.
Beattie, Priscilla. 1968, 1974.
1.11.
Beckman, Arnold O. 1966-1967, 1977.
1.12.
Bell, Eric Temple. 1937, 1957, 1959-1961, 1964.
1.13.
Beroju Puppet Theatre. 1933.
The Beroju Puppet Theatre was a Depression-era enterprise founded by Roger, Betty
and Julian Hayward, each of whom participated in the production of puppet shows performed
for a fee at various locations in the Pasadena area, including the Hayward home.
1.002.
Correspondence: Bi - Br. 1954-1972. 8 folders
2.1.
Birchard, John. 1954, 1956, 1965.
2.2.
Blaker, Alfred A. 1965-1966.
2.3.
Blaker, Alfred A. 1967.
2.4.
Blaker, Alfred A. 1968-1970.
2.5.
Bonestell, Chesley. 1962-1963, 1965, 1969.
2.6.
Bruce, C. E. R. 1965-1967.
2.7.
Bruce, C. E. R. 1968-1972.
2.8.
Assorted Correspondence: B. 1955-1962, 1964-1968, 1970-1971.
1.003.
Correspondence: C - D. 1925, 1930, 1935, 1941, 1949-1976. 34 folders
3.2.
Cady, Walter Guyton. 1963-1971.
3.3.
California Institute of Technology. 1948-1963, 1964, 1966-1967.
File contains employment and billing records dating to Hayward's association with
Caltech, correspondence related to Hayward's work at the Mount Wilson Observatory,
and materials documenting the planning and construction of the Sloan Laboratory of
Mathematics and Physics.
3.4.
Cannon, Grahame and Alzada. 1958, 1960-1961, 1975-1976.
3.5.
Carmichael, Jae. 1962, 1973, 1975.
File includes description of four mobiles created by Hayward and displayed at a Laguna
Beach Art Association show.
3.6.
Chamberlin, Katherine. 1961, 1975.
3.7.
Clarke, Katherine. 1975.
3.8.
Clements, Thomas C. [American Amateur Chronometric Society]. 1964-1966.
3.10.
Cook, Alan. 1972, 1974.
3.11.
Corey, Robert B. 1959.
3.12.
Coze, Paul. 1953-1955, 1957-1958.
3.13.
Cram and Ferguson, Architects. 1925, 1935, 1941, 1958-1959, 1965, 1970, 1972, 1974.
File includes correspondence with Alexander E. Hoyle, Ralph A. Cram, Ann Cram and
Whitworth Ferguson.
3.14.
Thomas Y. Crowell Company. 1954-1955.
File concerns Hayward's proposed illustration of a new edition of Michael Faraday's
lecture "Chemical History of the Candle." Includes two etchings of candles by Hayward.
3.15.
Currier Gallery of Art [Manchester, New Hampshire]. 1930.
3.16.
Assorted Correspondence: C. 1956, 1958, 1960, 1962, 1964-1967, 1970, 1972-1973.
3.17.
Dall, Horace. 1965-1971.
3.18.
Dandliker, Walter B. 1955-1956.
3.19.
Danielson, John Lewis. 1957-1958.
3.20.
Dann, Frode. 1962-1964, 1966-1969.
3.21.
Davies, Philip W. 1961.
3.22.
Davies, Robert H. 1974-1975.
3.23.
Davis, Robert N. 1965-1966, 1970-1971, 1974-1975.
3.24.
DeWees, Ben. 1962, 1974, 1976.
3.25.
Dills, Charles E. 1964.
3.26.
Dimmock, Marion S. 1965.
3.27.
Dodd, Mead & Co. 1958-1959.
File contains correspondence and billing statements related to Hayward's illustration
of No More War!, by Linus Pauling.
3.28.
Dornbusch, Charles H. 1957, 1960, 1964, 1966-1972, 1974-1975.
3.29.
Downs, George W. 1959.
3.30.
DuMond, Jesse W. M. 1956-1957, 1961-1962, 1970-1973, 1976.
3.31.
Dunham, Theodore. 1946, 1951, 1973.
3.32.
Dunipace, Donald W. 1965-1966.
3.33.
Duren, William L., Jr. 1957-1958, 1961, 1963, 1968-1971, 1973.
3.34.
Assorted Correspondence: D. 1963, 1972.
1.004.
Correspondence: E - G. 1948-1977. 22 folders
4.1.
Edmund Scientific Co. 1962-1965, 1967, 1971.
4.2.
Encyclopedia Britannica Films, Inc. 1964.
4.3.
Estey, Roger S. 1962-1963, 1965, 1970, 1974-1975, 1977.
4.4.
Assorted Correspondence: E. 1955, 1959-1962.
4.5.
Fay, Peter W. 1962, 1965, 1969, 1973-1976.
File includes list of Hayward drawings used as illustrations in Fay's book The Opium War, 1840-1842 (1975). File also includes correspondence with W.W. Norton & Co. regarding publication
of the book.
4.6.
Feibelman, Walter A. 1960-1961.
4.7.
Flanagan, Dennis [Scientific American]. 1948-1963.
4.8.
Flanagan, Dennis [Scientific American]. 1964-1976.
4.9.
Freese, Winifred. 1975-1976.
4.10.
Assorted Correspondence: F. 1951, 1954.
4.11.
Gaddis, Thomas E. 1957.
4.12.
Gamble, John G. 1961-1962.
4.13.
Gamow, George. 1955, 1961.
4.14.
Gardner, Martin. 1960-1970, 1972-1975.
4.15.
Gibberd, Eric and Polly. 1949, 1955-1965, 1969, 1972, 1974-1975.
4.16.
Goldman, James A. 1967-1969.
File includes correspondence with Goldman's associates Sara and Daniel Ross, as well
as drawings by Daniel Ross.
4.17.
Gombrich, Ernst. 1972.
File includes materials related to the Gouse Sunchart.
4.18.
Grant, Ernie. 1962-1963, 1970-1974, 1976.
4.19.
Green, David and Jaxine. 1960, 1962, 1975-1977.
4.20.
Gross, Meredith Grant. 1968-1969.
4.21.
Grove Press, Inc. 1972.
File includes Hayward's description of a proposed book of illustrations depicting
human dress unlimited by "some unknown twist of fate which caused it to systematically
conceal the genitals."
4.22.
Assorted Correspondence: G. 1953-1954, 1957, 1959-1963, 1965-1968, 1975.
1.005.
Correspondence: H. 1938, 1956-1973. 8 folders
5.1.
Hall, Norman. 1964-1965, 1967.
5.2.
Hamilton, Jack. 1956-1959.
5.3.
Hamilton, Jack. 1960-1967, 1971.
5.4.
Hathaway Home for Children [Los Angeles]. 1957-1959.
5.5.
Holt, Frank L. 1963.
5.6.
Howard, John N. [Applied Optics]. 1973.
5.7.
Hughes, Darrell S. 1961, 1964-1965, 1968-1969.
5.8.
Assorted Correspondence: H. 1938, 1957.
1.006.
Correspondence: Albert G. "Doc" Ingalls. 1949-1953, 1958. 2 folders
Albert G. Ingalls was the first editor of the Scientific American "Amateur Scientist" column, to which Hayward frequently contributed both illustrations
and texts. The Ingalls correspondence files consist of letters between Ingalls and
Hayward related to the column, as well as to Hayward's contributions to Amateur Telescope Making, a three-volume work edited by Ingalls.
6.1.
Ingalls, Albert G. 1949-1951.
6.2.
Ingalls, Albert G. 1952-1953, 1958.
1.007.
Correspondence: I - L. 1944, 1953-1978. 16 folders
7.1.
Assorted Correspondence: I. 1953.
7.2.
Jackson, John Early. 1961.
7.3.
Johnson, Lyndon B. 1966, 1968.
7.4.
Kalionzes, Gus W. 1975-1976.
7.5.
Kovinick, Phil. 1973-1976.
7.6.
Kramer, James R. and Miriam. 1977-1978.
7.7.
Land, Edwin H. 1959.
7.8.
Langer, Rudolph. 1955, 1973-1974.
7.9.
Leslie Briggs Discussion Group. 1944, 1954-1956, 1962, 1970-1971, 1974-1975, 1978.
File includes correspondence with Moses A. Cortland as well as an unpublished work:
"The History of the Leslie Briggs Discussion Club, 1934-1978."
7.10.
Letters Magazine. 1968.
7.11.
Lewis, Charlton M. 1972, 1976.
7.12.
Lewis, William Bradley. 1956-1957, 1958-1963.
File includes a large volume of material concerning the Hayward-Lewis Pen.
7.13.
Lewis, William Bradley. 1964-1972, 1974-1977.
7.14.
Luke, Dorman. 1963.
7.15.
Lunden, Hayward & O' Connor, Architects. 1950, 1953-1954, 1956-1957, 1960.
File consists primarily of correspondence documenting the dissolution of the firm.
7.16.
Assorted Correspondence: L. 1953, 1956-1959, 1960-1961, 1964-1967, 1970-1971, 1973.
1.008.
Correspondence: M - N. 1917-1923, 1926, 1951-1979, 2004. 23 folders
8.1.
Mackay, R. Stuart. 1961.
8.2.
MacLaren, Walter R. 1960-1961, 1964, 1974-1975.
8.3.
Marquis Who's Who. 1951-1952, 1963-1966, 1968-1969, 1972-1973.
8.4.
Marsh, Esbon R. 1967, 1972, 1974-1976.
8.5.
Mason, Brian H. [American Museum of Natural History]. 1958.
8.7.
Massachusetts Institute of Technology. 1917-1923, 1964-1965, 1967, 1973.
File includes academic and financial records related to Hayward's undergraduate studies
at M. I. T.
8.8.
Mattill, John I. 1972-1973.
8.9.
McConnell, James V. [The Worm Runner's Digest]. 1968-1977, 1979.
8.10.
McKinney, William M. 1966.
8.11.
Meinel, Aden. 1951-1952, 1965, 1973, 2004.
File includes Meinel's recollections concerning Hayward's work on the Schmidt-Cassegrain
telescope, 2004.
8.12.
Mitchell, George A. 1961, 1970-1972.
File includes untitled sketches of a film projection apparatus proposed by Hayward
in June 1961.
8.13.
Morris, George E. 1970-1971, 1973-1976.
8.14.
Moscona, Harry A. 1967-1968.
8.15.
Moses, Robert A. 1959.
8.16.
Assorted Correspondence: M. 1926, 1953-1955, 1958-1961, 1964-1967, 1971-1973.
8.17.
Neher, Andrew W. 1961-1962, 1965, 1967, 1971, 1975, 1977.
8.18.
Nelson-Hall Company. 1972.
8.19.
New Scientist. 1961, 1969-1970, 1972-1973.
8.20.
Newton, Charles. 1962, 1965-1966.
8.21.
New Yorker. 1964, 1966, 1968, 1972.
8.22.
Niedenfuhr, Francis. 1960.
8.23.
Assorted Correspondence: N. 1951, 1957, 1959-1961, 1964, 1966, 1969, 1973, 1975.
1.009.
Correspondence: O - P. 1927, 1940, 1946-1978. 18 folders
9.1.
Ogilvy, C. Stanley. 1963.
9.2.
One-Hundred to One Shot Club [also referred to as the 10
-2 Club]. 1940, 1970.
File includes correspondence with Bertron C. Willard regarding Willard's work on a
biography of Russell W. Porter.
9.3.
Operations Research Society of America. 1947, 1951-1953, 1960.
9.4.
Optical Society of America. 1953-1954, 1959, 1961, 1967, 1969, 1971-1973, 1975.
9.5.
Osorio, Augusto E. 1965.
9.6.
Paige, Esther and Griff. 1973-1976.
9.7.
Paramount Pictures, Inc. 1946.
9.8.
Parker, Ashley and Emma. 1957, 1962, 1971-1976, 1978.
9.9.
Pasadena Area History. 1971-1972.
9.10.
Pasadena Artist Associates. 1949, 1951, 1954, 1960, 1964-1967, 1969, 1971-1975.
File includes a large number of Pasadena Artist Associates newsletters.
9.11.
Pasadena Art Museum. 1954, 1956, 1959.
9.12.
Pasadena Society of Artists. 1951-1953, 1957, 1960-1961, 1964-1968, 1971-1973, 1975-1976.
9.13.
Pauling, Linus. 1948-1959, 1965, 1967-1968, 1972, 1976.
9.14.
Piel, Gerard [Scientific American]. 1953-1959, 1961-1962, 1964, 1970-1971.
9.15.
Plowman, George Taylor. 1927.
9.16.
Prentice-Hall, Inc. 1937, 1946, 1951, 1956, 1959, 1962, 1965, 1968-1970, 1972, 1974, 1977.
File includes materials related to Hayward's work on Procedures in Experimental Physics, authored by John D. Strong, and Oceanography: A View of the Earth, by Meredith Grant Gross.
9.17.
Publisher's Central Bureau. 1972-1973.
9.18.
Assorted Correspondence: P. 1950, 1954-1955, 1959-1964, 1966-1967, 1969-1972.
1.010.
Correspondence: R - S. 1932, 1952-1978. 25 folders
10.1.
Recreational Mathematics magazine. 1962-1964, 1968.
10.2.
Ridley, George B. 1961-1964.
10.3.
Ridley, George B. 1965-1967, 1969-1971.
10.4.
Robertson, Howard Percy. 1956, 1962.
10.5.
Robinson, James O. 1972-1973.
10.7.
Rosequist, Ivan. 1955-1958, 1960.
10.8.
Saturday Review. 1962, 1968-1969.
File includes several "wit twisters" submitted for publication by Hayward.
10.9.
Science. 1964-1965, 1972.
10.10.
Scientific American. 1957-1958, 1961, 1966-1972, 1974.
10.11.
Scofield, Alan M. 1966.
File includes a painting by Scofield of the M13 star cluster in the Hercules constellation.
10.12.
Sheppard, Pat. 1960-1961.
10.13.
Shneiderov, Anatol J. 1962.
10.14.
Silvertooth, Wilber. 1959.
10.15.
Sky and Telescope. 1962-1963.
10.16.
Smith, Ray Winfield. 1975.
10.17.
Smith, William Howard and Astrid. 1958-1960, 1970-1971.
10.18.
Society of Libyan Studies. 1978.
10.19.
Southwest Museum [Los Angeles]. 1952.
10.20.
Stanson, Philip E. 1974-1975.
10.21.
Steuber, Lillian. 1972.
10.22.
Stevens, Mildred Lapson. 1960, 1966.
10.23.
Stimson, Cyrus F., Jr. 1962, 1966.
File includes original artwork by Stimson.
10.24.
Sulton, Jennifer and Hank. 1974-1975.
10.25.
Assorted Correspondence: S. 1932, 1952, 1958-1962, 1966-1967, 1969.
1.011.
Correspondence: Clair L. "Red" Stong. 1952-1954, 1956-1962. 7 folders
C. L. Stong was the second editor (after Albert G. Ingalls) of the Scientific American "Amateur Scientist" column, to which Hayward frequently contributed both illustrations
and texts. The Stong correspondence files consist of letters between Stong and Hayward,
numerous sketches and reproductions of etchings by Hayward, and items forwarded to
Hayward by Stong in regards to specific "Amateur Scientist" columns.
11.1.
Stong, C. L. 1952-1954.
11.2.
Stong, C. L. 1956-1957.
1.012.
Correspondence: Clair L. "Red" Stong. 1963-1966, 1968-1971. 8 folders
1.013.
Correspondence: Clair L. "Red" Stong. 1972-1976. 4 folders
13.4.
Stong, C. L. 1975-1976.
1.014.
Correspondence: John D. Strong. 1947-1977. 9 folders
John D. Strong was a physicist whose interests included thermal evaporation, infrared
spectroscopy and optics. Roger Hayward illustrated two books authored by Strong,
Modern Physical Laboratory Practice (1951) and Concepts of Classical Optics (1958). The voluminous Strong correspondence documents both work on these projects
as well as the friendly relationship shared by John and Bethany June Strong with Roger
and Betty Hayward. The files also include correspondence with Bethany June Strong
regarding her efforts to publish Face Furniture, a collection of drawings and poems created by the Haywards.
14.1.
Strong, John D. 1947-1955.
14.2.
Strong, John D. 1962-1963.
File includes illustrations by Hayward of an image-slicer devised by Strong and colleagues
at Johns Hopkins University.
14.3.
Strong, John D. 1964-1966.
14.4.
Strong, John D. 1967-1969.
14.5.
Strong, John D. 1971-1973.
14.6.
Strong, John D. 1974.
14.7.
Strong, John D. 1975.
14.8.
Strong, John D. 1976.
14.9.
Strong, John D. 1977.
1.015.
Correspondence: T - U. 1948-1976. 5 folders
15.1.
Taylor, J. H. 1975-1976.
15.2.
Tranquillitsky, George V. 1972.
15.3.
The Twenty Club. 1948-1949, 1951-1952, 1958.
15.4.
Assorted Correspondence: T. 1954-1955, 1964-1966, 1971.
15.5.
University Club of Los Angeles. 1953-1957, 1961.
1.016.
Correspondence: W. H. Freeman and Company. 1949-1959. 11 folders
Hayward maintained a lengthy relationship with the publishing firm W. H. Freeman and
Co. The Freeman correspondence files document his work as illustrator for a number
of books, including Linus Pauling's General Chemistry and College Chemistry, The Architecture of Molecules, which Hayward co-authored with Pauling, and later books written by Harper Frantz,
John D. Strong and George Pimentel, among others.
16.1.
W. H. Freeman and Co. 1949.
16.2.
W. H. Freeman and Co. 1950.
16.3.
W. H. Freeman and Co. 1951.
16.4.
W. H. Freeman and Co. 1952.
16.5.
W. H. Freeman and Co. 1953.
16.6.
W. H. Freeman and Co. 1954.
16.7.
W. H. Freeman and Co. 1955.
16.8.
W. H. Freeman and Co. 1956.
16.9.
W. H. Freeman and Co. 1957.
16.10.
W. H. Freeman and Co. 1958.
16.11.
W. H. Freeman and Co. 1959.
1.017.
Correspondence: W. H. Freeman and Company. 1960-1977. 11 folders
17.1.
W. H. Freeman and Co. 1960.
17.2.
W. H. Freeman and Co. 1961-1963.
17.3.
W. H. Freeman and Co. 1964.
17.4.
W. H. Freeman and Co. 1965.
17.5.
W. H. Freeman and Co. 1966.
17.6.
W. H. Freeman and Co. 1967.
17.7.
W. H. Freeman and Co. 1968.
17.8.
W. H. Freeman and Co. 1969.
17.9.
W. H. Freeman and Co. 1970.
17.10.
W. H. Freeman and Co. 1971.
17.11.
W. H. Freeman and Co. 1972-1977.
1.018.
Correspondence: W - Z. 1952-1978. 5 folders
18.1.
Wallbank, Wilf. 1962-1966.
File includes photos taken during Wallbank's 1962 trip to Pasadena, including images
of Wallbank, Hayward and Mount Wilson Observatory. File also includes photos of Wallbank's
wife Alice and daughter Marjorie.
18.2.
Walls, Gordon L. 1961.
18.3.
Ward, Sigrid and Harry C. Hart. 1961-1962, 1964-1970.
18.4.
Ward, Sigrid and Harry C. Hart. 1971-1978.
18.5.
Wikswo, John P. 1970.
18.6.
Wilder, Bob. 1952, 1974-1977.
18.7.
Williams, Beau. 1954-1957.
18.8.
Workman, E. J. 1971.
18.9.
Assorted Correspondence: W. 1965-1966, 1969.
18.10.
Zaino, Yola. 1960, 1962, 1965, 1967-1968, 1970-1971, 1974.
2. Manuscripts and Publications. 1937-1977.
Unpublished manuscripts and published reprints of articles written by Roger and Betty
Hayward are arranged within this series. While the earlier writings tend to be more
scientific in nature, Hayward's later work often assumes humorous tones, many of the
later pieces having been developed for publication in the often-satirical journal
The Worm Runner's Digest.
3 boxes
2.001.
Manuscripts of Articles by Roger and Betty Hayward. 1926, 1937-1961. 23 folders
1.1.
Transcript: "Betty Hayward's notes on European Art trip". 1926.
Compiled by James R. Kramer.
1.2.
Transcript: "Introduction to
On the Preservation of Books," by Betty Hayward. 1932.
Text extracted from an unpublished typescript edited by Betty Hayward, created to
mark the opening of the Edward L. Doheny Library, University of Southern California.
1.3.
Typescript: "The Round World." Submitted as part of a proposed history of astronomy
to be written in collaboration with E. T. Bell. July 6, 1937.
1.4.
Typescripts, Manuscript, Calculations: "A Device for Measuring the Sound Absorption
of a Sound Absorbing Material, by Comparing it with Samples of Known Sound Absorbing
Value". February 7, 1938.
1.5.
Typescript: "Improvements to Listening Devices". January 5, 1941.
1.6.
Manuscript: "A Device for Photographing Television Pictures or Televising Motion Picture
Films". May 29, 1946.
1.7.
Manuscript, Typescripts: "Report on Television Air-Check Photography". 1946.
1.8.
Typescript, Correspondence: No Title, [re: "pinhole testing"]. July 1, 1951.
1.9.
Typescript: "Notes on Church Architecture". September 30, 1953.
1.10.
Typescript, Correspondence: "Styles in Art". 1953.
1.11.
Typescript, Correspondence: No Title, [re: an idea for a "traveling microscope"]. February 2, 1954.
1.12.
Typescript, Correspondence: No Title, Letter to the Editor of the Pasadena Star-News [re: policies guiding the selection of art for inclusion in the Pasadena Art Fair]. March 31, 1954.
1.13.
Typescript: "The Molecular Structure of Hair and Similar Fibrous Proteins," by Linus
Pauling, Robert Corey and Roger Hayward. July 1954.
1.14.
Typescripts: "The Ptolemaic Planetarium," "The Earliest Known Concept of the Universe,"
and "Celestial Sphere." Ideas for Union Oil Center lobby displays solicited by the
Union Oil Company of California. December 1957.
1.15.
Typescript: "Some Notes on Design and Color." Lecture notes. Ca. 1950s.
1.16.
Typescript: "Effects of Pressure on the Eyeball". January 26, 1960.
1.17.
Typescript, Correspondence, Illustrations, Background Materials: "Maps of the Earth
in Magnetic Coordinates as an Aid to Finding Conjugate Points in the Earth's Magnetic
Field," submitted for publication in the Journal of Geophysical Research. March 7, 1961.
1.18.
Typescripts: No Title, Letter to the Editor of the Journal of the British Astronomical Association [re: "The Lunar Crater Linne" by "B. W."]. March 30, 1961.
1.19.
Typescript, Correspondence, Illustrations, Referees' Reports: "Configuration of Convection
Cells in the Earth's Mantle," submitted for publication in the Journal of Geophysical Research. May 30, 1961.
1.20.
Typescript, Correspondence: "Binocular Vision with Different Color Filters Before
the Two Eyes," submitted for publication in the Journal of the Optical Society. August 15, 1961.
1.21.
Typescript: Review of Modern Physics Buildings: Design and Function, by R. Ronald Palmer and William Maxwell Rice. 1961.
1.22.
Typescript, Illustrations: "Whistlers". 1961.
1.23.
Typescript: "Gamble Thermal Centrifuge". 1961.
2.002.
Manuscripts of Articles by Roger Hayward. 1962-1974. 29 folders
2.1.
Typescript, Illustration: "Concerning the Non-Representational Paintings in This Exhibition". February 1962.
2.2.
Typescript: "Some Studies of the Moebius Tape and the Moebius Rings". April 4, 1962.
2.3.
Typescript: No Title [re: contrast enhancement in photography]. May 1, 1963.
2.4.
Typescript, Drawings: "Past Explosions in the Nearer Galaxies". October 26, 1963.
2.5.
Typescript: "Art and Illusion and Meditations on a Hobby Horse by E. H. Gombrich," review of books by Roger Hayward. March 1964.
2.6.
Typescripts: No Title, Letter to the Editor of The Atlantic Monthly [re: the life routines of artists, with specific mention of Andrew Wyeth.]. July 25, 1964.
2.7.
Typescript: "Twentieth Pasadena Art Fair". August 23, 1964.
2.8.
Typescripts, Illustrations: "Three Dimensional Visual Understanding". October 1964.
2.9.
Typescript: "A Review of the Work of the Pasadena Artist Association, Inc., 1945-1963". 1964.
2.10.
Typescript, Correspondence, Illustrations: "Stereo Effects from Centrally Symmetrical
Patterns," submitted for publication in the Journal of the Optical Society of America. April 27, 1965.
2.11.
Typescript, Correspondence, Illustrations: "Binocular Vision: The Effects of Vertical
Accommodation and the Moiré Effect," submitted for publication in the Journal of the Optical Society of America. April 28, 1965.
2.12.
Typescript, Correspondence, Illustrations: "Stereo Effects from Centrally Symmetrical
Patterns," submitted for publication in the Journal of the Optical Society of America. September 1965.
2.13.
Typescripts, Correspondence, Illustrations: "Magnetic Loops in M 31," submitted for
publication in the Journal of the British Astronomical Association. October 4, 1966.
2.14.
Typescripts, Correspondence, Illustrations: "A Technique for Measuring the Spiral
Structure of Galaxies". February 1967.
2.15.
Typescripts, Correspondence, Illustrations, Referee's Report: "Binocular Vision: Stereoscopic
Properties of Ellipses," submitted from publication in the Journal of the Optical Society of America. February 1967.
2.16.
Typescript: "The Globular Clusters," by C. E. R. Bruce and Roger Hayward. August 22, 1967.
2.17.
Typescript: "Blivets - Research and Development," submitted for publication in The Worm Runner's Digest. June 1968.
2.18.
Typescript, Background Material: "The Jigsaw Puzzle and the Inventive Mind," submitted
for publication in The Worm Runner's Digest. 1968.
2.19.
Typescripts, Correspondence: "Blivets - The Makin's" and "Cupidons - The Survival
of the Flittest," submitted for publication in The Worm Runner's Digest. November 16, 1969.
2.20.
Typescript: "Blivet or Not," Letter to the Editor of The Worm Runner's Digest. November 25, 1969.
2.21.
Typescript: No Title, Letter to the Editor of the Pasadena Star-News [re: the history of Pasadena Artist Associates]. September 11, 1970.
2.22.
Typescript, Correspondence: "Flower Bed Bugs," submitted for publication in The Worm Runner's Digest. March 14, 1971.
2.23.
Typescript, Correspondence, Illustrations: "Livits," submitted for publication in
The Worm Runner's Digest. January 6, 1972.
2.24.
Typescript, Correspondence: "Notes about Mr. Grahame B. Ridley". April 2, 1972.
2.25.
Typescript: No Title, Letter to the Editor of Applied Optics [re: the invention and development of the two-mirror Schmidt optical system]. July 8, 1973.
2.26.
Typescript: No Title, Letter to the Editor of the Pasadena Star-News [re: the architectural significance of the Security Pacific National Bank building.
Published as "Bank Frieze"]. July 30, 1973.
2.27.
Typescript: "Comments on the paper 'Status and the left cheek'". September 2, 1973.
2.28.
Typescript: "An Appreciation of Henry A. Babcock". July 13, 1974.
2.29.
Typescript, Illustrations: "Flyleaves from a Snatchuralist's Gnote-book," submitted
for publication in The Worm Runner's Digest. 1974.
2.003.
Publications by Roger Hayward. 1917, 1962-1977. 16 folders
3.1.
How the Lion Got His Mane. K. H. S. Enterprise, Keene High School, New Hampshire. 1917.
3.2.
The Bouncing Billiard Ball. Recreational Mathematics Magazine, 9 (16-18). June 1962.
3.3.
Some Studies of the Moebius Tape and the Moebius Rings. Recreational Mathematics Magazine, 10 (12-16). August 1962.
3.4.
Whistlers. Journal of the Astronomical Society of Victoria, 15, 5 (74-79). October 1962.
3.5.
Binocular Vision: The Effects of Vertical Accommodation and the Moiré Effect. Journal of the Optical Society of America, 55, 9 (1185). September 1965.
3.6.
Stereo Effects from Centrally Symmetrical Patterns. Journal of the Optical Society of America, 56, 2 (255-256). February 1966.
3.7.
Blivets - Research and Development. The Worm Runner's Digest, 10, 2 (89-92). 1968.
3.8.
The Jigsaw Puzzle and the Inventive Mind. The Worm Runner's Digest, 11, 1 (83-84). 1969.
3.9.
Cupidons - The Survival of the Flittest. The Worm Runner's Digest, 11, 2 (111-112). 1969.
3.10.
Blivets - The Makin's. The Worm Runner's Digest, 12, 2 (86-88). 1970.
3.11.
Flower Bed Bugs. The Worm Runner's Digest, 13, 1 (127). 1971.
3.12.
Livits. The Worm Runner's Digest, 13, 2 (68-72). 1971.
3.13.
Bank Frieze. Pasadena Star-News. August 3, 1973.
3.14.
Flyleaves from a Snatchuralist's Gnote-book. The Worm Runner's Digest, 16, 1 (71-75). 1974.
3.15.
No Title. Letter to the Editor of The Worm Runner's Digest, [re: Hayward's representations of "humanoid interactions using your symbolic representations
of the flatworm as a starting point."] 17, 1 (128-129). 1975.
3.16.
Digititiums. The Worm Runner's Digest, 19, 2 (88-90). 1977.
3. Project Files. 1929-1971, undated.
The bundles of notes, calculations, letters and publications generated by Hayward
in developing his many projects have been arranged within this series. Included as
well are materials related to Hayward's ten patents as well as content documenting
his contributions to numerous scientific war and defense projects, circa World War
II.
4 boxes
3.001.
Projects: C - O. 1929-1971, 1983. 12 folders
1.1.
Correspondence, Typescript, Legal Documents, Illustration: "Coated Materials and Method
and Apparatus for Producing Same" [Unbreakable Lens Company]. 1938-1939, 1942.
1.2.
Correspondence, Illustrations: Drinking Glass. 1973.
1.3.
Non-Hayward Publications: Edward L. Doheny Jr. Memorial Library, University of Southern
California. 1983.
1.4.
Correspondence: Electric Motor. 1940.
1.5.
Correspondence, Blueprints, Calculations: Foucault Pendulum. 1938, 1961, 1965.
1.6.
Correspondence, Calculations, Non-Hayward Publications: Geologic topics including
Gravity Currents, Subcrustal Flow and Earthquakes. 1942, 1961.
1.7.
Correspondence, Non-Hayward Publication: Allan Hancock Research Foundation Building,
University of Southern California. 1938, 1941, 1971.
1.8.
Non-Hayward Publications: Los Angeles Stock Exchange building. 1929, 1931.
1.9.
Photographs: Mariner IV Mars Flyby. 1965. 22 photographs
1.10.
Correspondence, Background Materials: Moon Models [Griffith Observatory and Walt Disney
Productions]. 1934-1936, 1939, 1955.
1.11.
Correspondence, Illustrations, Non-Hayward Publication: Optics. 1964, 1977.
1.12.
Notes, Illustrations: Organic Chemistry; How to Solve It: The Geometry of Molecules, by Ruth A. Walker. 1971.
3.002.
Patents Awarded to Roger Hayward. 1937-1964. 10 folders
2.1.
"Transparent Projection Screen," awarded to John D. Strong and Roger Hayward. Patent
No. 2,200,646. 1940, 1950.
2.2.
"Devices for Grinding and Polishing Surfaces." Patent No. 2,399,924. 1937, 1946, 1951-1952, 1954, 1956.
2.3.
"Apparatus for Surface Generation." Patent No. 2,403,659. 1946, 1962.
2.4.
"Optical System for Cameras." Patent No. 2,403,660. 1946.
2.5.
"Means and a Method for Testing Optical Surfaces." Patent No. 2,430,637. 1947-1948.
2.6.
"Bubble Level with Conical Lens." Patent No. 2,514,492. 1949-1950, 1957, 1962.
2.7.
"Panoramic Telescope Device." Patent No. 2,625,853. 1953.
2.8.
"Panoramic Binocular Telescope." Patent No. 2,625,854. 1953.
2.9.
"Bassinet Mounting." Patent No. 2,752,614. 1956.
2.10.
"Pens," awarded to Roger Hayward and William Bradley Lewis. Patent No. 3,116,720. 1964.
3.003.
Projects: P - W. 1933-1967. 8 folders
3.1.
Manuscript, Illustration: Pipe [improved tobacco pipe]. 1952.
3.2.
Typescript, Illustrations:
Procedures in Experimental Physics, by John D. Strong. 1938.
File includes Typescript: "Notes on the Construction and Design of Instruments and
Apparatus," by John D. Strong. [?]
3.3.
Typescript, Photographs, Correspondence, Calculations, Non-Hayward Publications: Schmidt
Telescopes. 1938-1939, 1946, 1949, 1966.
3.4.
Typescript, Correspondence: A Search for Understanding, film script developed by Wexler Film Productions. 1967-1968.
3.5.
Photographs, Blueprints, Correspondence, Non-Hayward Publications: Surveyor Program
Lunar Modules and Moon Missions. 1965-1967.
3.6.
Typescripts, Correspondence, Illustrations, Calculations: Underwater Periscope. 1959.
File includes Typescript: "An Underwater Periscope," by Paul B. Archibald, final version
dated December 15, 1959.
3.7.
Correspondence, Illustrations, Non-Hayward Publications: Vision and Color Theory. 1933-1934, 1939, 1960-1962, 1964-1969.
3.8.
Photograph, Manuscript, Typescript, Correspondence, Calculations: Walnut Cracking
Device. 1936-1937.
3.004.
War and Defense Projects. 1942-1952, undated. 13 folders
4.1.
Correspondence: War and Defense Projects. 1943-1944.
4.2.
Correspondence: War and Defense Projects. 1945-1946.
4.3.
Correspondence: War and Defense Projects. 1947-1948.
4.4.
Correspondence: War and Defense Projects. 1949-1952.
4.5.
Typescripts, Illustrations: "Scanning Device," "Binocular Scanning Device" and "With
Binocular Scanning Device Rolling Cylinder," invention disclosures by Roger Hayward. 1942.
4.6.
Typescripts, Publication: "Position Firing" and "Program on Development of Equipment
for Flexible Gunnery". 1942.
4.7.
Internal Report: "The Development of Methods for the Production of Roof Prisms," Third
Progress Report, National Defense Research Committee, Contract No. OEMsr 101. 1942.
4.8.
Typescript: "Bowen-McMath Program for Aerial Photography". 1944.
4.9.
Photographs, Typescripts, Illustrations, Field Data: gun turrets. 1947.
4.10.
Illustrated Manuscript: "The Attack Shot Made Easy," by Roger Hayward. ca. 1940s.
"The Attack Shot Made Easy" is a comic book-style educational manual developed by
Hayward for use by U.S. aerial gunners during World War II.
4.11.
Manuscript, Typescript: "Report on Neon Tube Camera". 1951.
4.12.
Illustration: "Device for Demonstrating Effect of Gravity on Trajection," [bullet
drop device]. undated.
4.13.
Assorted Calculations: War and Defense Projects. undated.
4. Sketchbooks and Artworks. 1909-1976, undated.
Multiple sketchbooks and loose art works are organized within this series. While
over the course of his life, Hayward worked in multiple media, most of the art works
held in the Hayward Papers are pencil drawings, pen and ink works or prints of etchings.
4 boxes
4.001.
Sketchbooks by Roger Hayward. 1909-1926. 8 sketchbooks
1.1.
Sketchbook. 1909. 7.25 in. x 10.50 in. Dark brown cover. Disbound, 76 pages.
Consists of still life pencil drawings created by Hayward at age 10. Includes Hayward's
table of contents.
1.2.
Sketchbook. 1910-1911. 8 in. x 10.50 in. Brown cover embossed with cowboy scenes and titled "Sketch Book."
62 pages.
Consists of still life, nature and portrait pencil drawings (among them portraits
of Hayward's brother and of Abraham Lincoln) created by Hayward as a boy. Includes
Hayward's table of contents. Also includes a portrait drawn by Hayward's mother,
Ina.
1.3.
Sketchbook. 1916-1917. 5.5 in. x 7 in. Brown cover embossed with "Sketch Book." 68 pages.
Consists of pencil drawings and watercolors of New England scenes - still life and
landscape scenes, cartoon figures, profiles and figure studies. Annotated works include
"Keene [New Hampshire] from Grays Hill" and "Gen. Jim Wilson House." Autographed
"Glück Auf, W. P. Phelps." [Hayward's grandfather William P. Phelps]
1.4.
Sketchbook. 1917. 3.75 in. x 5.75 in. Brown cover hand-labeled "RH." 58 pages.
Consists of pencil and charcoal drawings of Boston-area scenes, including landscapes,
buildings, sailboats, still lifes and figure studies. Annotated works include "Fenway"
[multiple], "Bumpkin Island 'Barracks'/Camp Burrage," "Esplanad," "Jap. lantern" and
"Jap. seabird." First page annotated "Roger Hayward, U. S. S. Topeka, Navy Yard,
Portsmouth, N. H."
1.5.
Sketchbook. 1917-1918. 3.75 in. x 5.75 in. Brown cover hand-labeled "RH." Black binding. 50 pages.
Consists of pencil and charcoal drawings of Boston-area and Massachusetts Institute
of Technology scenes. Includes architectural depictions, museum pieces, portraits
and nude studies. Annotated works include "Cambridge Bridge," "Philadelphia Academy
of Fine Arts," "APOXYOMENOS," "16th & 17th century Persian glass, Venetian influence,"
"Arabian Lattice" and "Italian Mask, XVIth Century."
1.6.
Sketchbook. 1920. 4.5 in. x 6.5 in. Grey cover. 49 pages.
Consists of Boston-area Gothic architectural and artistic renderings done in pencil,
as well as a cartoon drawing of fish. Annotated works include "Pew, Park Hill Church,"
"Cornice over front door, Park Hill Church," "frieze for cornice," "Seat at base of
Boston Public Library," "Lamp base vestibule - Boston Public Library."
1.7.
Sketchbook. 1926. 6 in. x 9 in. Grey cover embossed with "Sketches" and annotated "made around 1926."
50 pages.
Dating to Roger and Betty Hayward's art trip to Europe, this sketchbook contains pencil
drawings and schematics of Gothic buildings and architectural features. Annotated
works include "Gargoyle - The Tor, Glastonbury," "Cirencester," [multiple] "Fairford
- England," [multiple] "Clare College Bridge, Cambridge," "Fan Vaulting, King's College
Chapel, Cambridge," "S. Benedict, Cambridge, Pre-Norman Tower," "Dorset Sq[uare],
London," "Vaulting, South Aisle, Henry VII Chapel, Westminster Abby," "British Museum,
Nimroud Rm.," "Chancel arch, S. Mary-Le-Strand, Gibbs 1717," Holy Water Basin, S.
Etheldreda's - London" and "S. Kensington Museum." [multiple]
Included with the sketchbook is a Typescript: "Betty Hayward's notes on European Art
trip, 1926," provided by Dr. James R. Kramer.
1.8.
Sketchbook. 1926. 10.25 in. x 7 in. Brown cover embossed with "G. Rowney & Co.'s Ring-Bound Sketch
Book." 44 pages.
A second sketchbook dating to Roger and Betty Hayward's art trip to Europe. Consists
of pencil and watercolor drawings of Gothic buildings and architectural features as
well as nude studies. Annotated works include "Hajia Sophia - Constantinople," "Byzantine
Vaults," "Église de Kapnicarea, Athens 9th cent.," "St. Ambrogio, Milan," "St. Mark's
- Venice," "Apostles Church, Cologne," "Toro Cathedral," "Salamanca," "S. Sernin -
Toulouse," "Clemont-Ferrand, Notre Dame du Port," "Issoire: S. Paul," "S. Martin de
Broscherville," "Bay of Abbey Church - Jumieges, Early Norman," "Peterborough Cathedral,"
"Bay of Ste. Trinité," "St. Leu d'Esserent," "Noyon: Langhaus," "Notre Dame - Paris,"
"Plate Tracery - Chartres" and "Bar Tracery - Reims."
4.002.
Sketchbooks by Roger Hayward. 1928-1976. 8 sketchbooks
2.1.
Sketchbook. 1928, 1965. 4 in. x 7 in. Grey cover embossed with "Sketches." 48 pages.
Consists of pencil sketches of boats, houses, landscapes, studies for color works,
abstract and impossible geometric shapes, typographic studies for Christmas cards
and rough portraits of Robert F. Kennedy.
2.2.
Sketchbook. 1935-1936, 1968. 5 in. x 7 in. Purple and gold cover, spiral bound, labeled "Artists Roll-O Pad."
62 pages.
Consists of pencil and pen sketches of geometric shapes, typography for a "Blivets"
logo and rough sketches of people and faces. Also includes a series of anagrams and
astronomical observations.
2.3.
Sketchbook. 1942-1943. 9 in. x 12 in. Purple and gold cover, spiral bound, labeled "Artists Roll-O Pad."
16 pages.
Consists of pencil drawings of landscapes and the ruins of Apollonia, Cyrenaica, Libya.
2.4.
Sketchbook. 1947. 9 in. x 12 in. Purple and gold cover, spiral bound, labeled "Artists Roll-O Pad."
22 pages.
Consists of pencil and charcoal portraits and drawings of landscapes.
2.5.
Sketchbook. 1967-1968, 1970, 1976. 10 in. x 11.5 in. Black three-ring binder decorated with blue flowers. Disbound,
60 pages.
Consists of whimsical caricatures of humans and animals done in pen, pencil and charcoal.
A special emphasis of this set is a series of drawings of humans with multiple heads.
Set also includes depictions of human faces created out of typewritten characters.
2.6.
Sketchbook. 1970-1971. 8 in. x 5 in. Pink and white cover, labeled "Empire Economy Pak, for Home or Office."
85 pages.
Consists of whimsical caricatures of humans and animals done in pen.
2.7.
Sketchbook. 1975-1976. 9 in. x 12 in. Light blue cover, spiral bound, labeled "Académie Sketch Book." 58
pages.
Consists of whimsical charcoal caricatures of humans and animals.
2.8.
Sketchbook. 1973-1974. 8.5 in. x 11 in. Red cover, spiral bound, labeled "Grumbacher All Technique Sketch
Book." 100 pages.
Consists of whimsical pen, pencil and charcoal caricatures of humans and animals.
Certain of the drawings are sexual in nature. Others depict humans as conceptualized
as coffee mugs.
4.003.
Artworks by Roger Hayward. 1913-1976. 19 folders
Box includes an inventory of paintings by Roger Hayward, compiled by Dr. James R.
Kramer.
3.1.
Untitled self-portrait [profile sketch], annotated "R. Hayward studying awfully hard". 1913. 4.5 in. x 6 in. Pencil on brown paper.
3.2.
"Dardanella?" Pen and ink drawing of a cut-away house revealing family members, pets
and a domestic servant dancing to jazz music. Captioned: "Brother Jack (home of vacation)
tries a little jazz after breakfast." Submitted for publication in Judge magazine. 1920. 15.75 in. x 11.25 in.
3.3.
Untitled drawing of an Egyptian column and pharaoh statue. October 7, 1921. 4.5 in. x 12 in. Pencil drawing.
3.4.
Black and white photograph of an illustration by Roger Hayward titled "Tech Show 1922,
The Wrong Steer." Illustration depicts a caveman, cavewoman and child riding a bull. 1922. 6.5 in. x 9 in.
3.5.
Assorted prints of etchings. Ca. 1924 - 1926. 13 etchings.
Etchings primarily depict outdoor scenes, often seaside landscapes, as well as images
of European cities. Scenes also include a nude study and an elderly basketweaver.
3.6.
Prints of an etching titled "Mont San Michel". 1926. 5 in. x 4 in., 5 copies
3.7.
Pencil study and prints of an etching titled "Siena". 1926. 5 in. x 4 in., 8 copies
3.8.
European art trip sketches - drawings of buildings and architectural studies. 1926. 6 in. x 9 in. 17 leaves, pencil and pen drawings.
Drawings titled as follows: "Half plan of Strozzi, Early Florentine Palace," "Section
thro' upper storeys of Strozzi Palace," "Perspective, Elevation of Strozzi Palace,"
"Detail of Cornice, Palazzo Strozzi," "Detail of Second Storey Window, Palazzo Riccardi,"
"Corner of Courtyard, Palazzo Strozzi, Florence," "Bronze Banner Holder," "Bronze
Lantern from corner of Strozzi Palace," "Elevation of Children's Hospital," "Court,
Palazzo Bevilacqua, Bologna," "A Brick Cornice," "Detail, Pal[azzo] Bevilacqua, Bologna,"
"Prigioni, Brescia," "Window in the Cortile of the Doges' Palace, Venice," "S. M.
dei Miracoli, Venice," "Palais Corner - Spinelli, Venice," "Palais de la Cancellaria"
and "Porta de Borsari, Verona."
3.9.
Prints of four etchings featuring images of boats floating on clouds. Etchings created
for use in the Hayward family Christmas card. 1928. 4 in. x 5 in., multiple copies of each etching.
Final etching in the series includes the following text: "I saw three ships come sailing
in, on Christmas Day / On Christmas Day I saw three ships come sailing in / And who
was in those ships all three? / Over Savior Christ and his ladye / Pray whither sailed
those ships all three? / They sailed into Bethlehem, On Christmas Day / Wishes for
your health and happiness from Mr. and Mrs. Roger Hayward."
3.10.
Published drawing of a proposed Presbyterian cathedral, Washington, D. C. From "Decadence
of French Church Architecture," by Ralph Adams Cram, The Architectural Forum, 50, 3 (305-320). March 1929.
3.11.
Untitled drawings of a makeshift campsite and cabin. One drawing annotated "Roger
& Betty's 'camp,' The Abbott Brook [?], 1929?". 1929. 4 pencil drawings, 5 in. x 8 in. and 8.5 x 12 in.
3.12.
Photocopies of photographed watercolors exhibited at Grace Horne's Galleries, Boston,
and the Los Angeles Museum. 1929.
3.13.
Untitled drawings of canyon scenery, possibly the Grand Canyon. June 1950. 4 pencil drawings, 6 in. x 9 in.
3.14.
Pen and ink drawings of maps titled "Santa Fé Trip, October 1951" and "Santa Fé Trip,
October 1951; East Coast trip, May-June 1952". 1952. 2 drawings and 2 photo reproduction, 8 in. x 10 in. and 10.5 in. x 8 in.
3.15.
Untitled drawings of desert scenery. October 1958. 4 pencil drawings, 6 in. x 9 in.
3.16.
Untitled drawing of abstract geometric shapes. July 1963. Pencil drawing, 9 in. x 11.5 in.
3.17.
Untitled still life drawing of a craftsman's workspace. July 1963. Pencil drawing, 9 in. x 11.5 in.
3.18.
"Phantom Phuck." Pastel drawing of men's and women's shoes. May 1969. White pastel drawing on black paper, 8.5 in. x 11 in.
3.19.
Untitled series of whimsical pen caricatures of humans and animals. Certain of the
drawings are sexual in nature. 1969-1973. 169 pages, 8.5 in. x 11 in.
3.20.
Untitled series of abstract human and animal caricatures, published as "Digititiums"
in The Worm Runner's Digest. May 1976. 8 white pastel drawings on black paper, 5.5 in. x 7 in.
4.004.
Artworks by Roger Hayward. undated. 9 folders
4.1.
Untitled architectural sketches of a building entryway. undated. Pencil sketches, 1 leaf, 9.5 in. x 12 in.
4.2.
Series of illustrations submitted for publication as "Blivets" in
The Worm Runner's Digest. undated. 4 pieces.
Titles as follows: "BLIVETS! Another way to see reality?," "What is Beauty?" "What
we did during the Great Depression" and "KRAP."
4.3.
Untitled cartoon sketches. undated. 8 sketches in both pen and pencil.
4.4.
Untitled drawings of faces. undated. 5 leaves in charcoal, pen and pencil.
4.5.
Untitled sketches depicting harbor scenes. undated. 2 pencil sketches.
4.6.
Assorted landscape and outdoor scenes. undated. 3 photographs of watercolor paintings and 1 etching.
4.7.
Drawings of assorted plants. undated. 5 leaves, pencil drawings.
Titled works as follows: "Star Flower," "Wild oats," "Lady Slipper" and "Fringed Polygala."
4.8.
Untitled street scene. undated. Pencil drawing.
Image depicts three people walking into a very large building.
4.9.
Reproductions of assorted technical drawings and textbook illustrations. undated. 14 leaves
5. Photographs and Biographical Materials. 1899-1980, 2007, undated.
The final series of the Hayward Papers consists of materials which document the major
details of his biography. Included are a content-rich biographical scrapbook, several
photographs and a lengthy newspaper clipping file.
4 boxes
5.001.
Biographical Scrapbook. 1899-1938, 1951-1953. 9 in. x 12.5 in., light brown cover with dark brown binding, annotated "Roger." 74
pages.
Roger Hayward's biographical scrapbook is a major resource for those interested in
his life and work. The scrapbook consists primarily of photographs and newspaper
clippings documenting Hayward's affairs and art works. The scrapbook also includes
a few original pieces, among them a watercolor and several prints of etchings.
1.1.
Replication of a diary entry by Hayward's mother recounting the details of Roger's
birth. undated.
Black and white photograph of a house, possibly Hayward's boyhood home. undated.
Black and white photographs of Roger Hayward, age 8 months. 1899. Two photographs.
1.2.
Sepia-tone studio portrait of Roger Hayward as a high school senior. 1917.
Black and white photographs of Roger Hayward wearing a Naval uniform. 1917. Two photographs.
Page annotated: "Graduation year = 1917. Keene High School. A volunteer in the World
War, Naval Reserve."
1.3.
Black and white group portrait of several men, including Roger Hayward. Annotated:
"Volunteers for service in the World War, April 6, 1917".
5 in. x 4 in. watercolor painting of military barracks. Annotated: "Painted these
Barracks on Bumpkin Is[land], Boston Harbor, September 1917".
Black and white photographs of Roger Hayward wearing a Naval uniform. 1917. Two photographs.
1.4.
Black wood block print of a jester holding the numbers 1920 and 1921, standing on
a stage labeled "Christmas 1920." Annotated: "For E. E. Clive, English Actor." 1920.
Newspaper Clipping: "Sardonic Strands - Mask of Tragedy, As Interpreted by the Modern
Stage," illustration by Roger Hayward. Boston Evening Transcript, May 28, 1921.
1.5.
Black and white photograph of an illustration by Roger Hayward advertising "First
Architectural Society Smoker, Prof. C. Howard Walker will Speak." Illustration depicts
a well-dressed man slouching in a chair, holding a glass and cigarette. 1921.
Black and white photograph of an illustration by Roger Hayward advertising "Valentine
Dance, Architectural Society." Illustration depicts a well-dressed man and woman
dancing in front of a heart. 1922.
Black and white photograph of an illustration by Roger Hayward advertising "Arts &
Crafts Exhibit, Minstrel Show, Dancing." Illustration depicts two stereotypical caricatures
of African-American men gesturing toward a painting of a female. 1922.
1.6.
Watercolor study of a humorous three-panel stained glass window. Illustration depicts
an animated version of Hayward sleeping in the left frame, smoking, holding a book
and a bottle of beer in the center frame, and again sleeping in the right frame.
The image of Hayward in the center frame is seated above a box labeled "S. S. P. Co."
which refers to S. S. Pierce Company, a Boston purveyor of fine foods. 1921.
Black and white photograph of a revised version of the three-panel stained glass window
piece. In this version "S. S. P. Co." is replaced with "Technique," the title of
the Massachusetts Institute of Technology yearbook. The revised version also includes
an inscribed annotation: "Memorial in Appreciation of the Box Sent by the Editors
of Technique, 1921 to Roger Hayward." 1921.
1.7.
Black and white photograph of a sculpture titled "The Primitive Kiss." Sculpture
depicts a man and woman, ostensibly African, kissing with a snake mutually wrapped
around their necks. Image annotated: "For the Arts & Crafts Exhibition, May 12, 1922. This sculpture by R. Hayward was unveiled at the Roger's bldg".
Black and white photographs of Hayward in Eastern dress and of Chinese motifs. Annotated:
"The Copley Society - Artists' Ball." undated. Five photographs.
1.8.
Black and white photograph of an architectural schematic, aerial view, by Roger Hayward
titled "Suburban Railroad Station." Submitted to the Department of Architecture,
Massachusetts Institute of Technology, June 1919.
1.9.
Black and white photograph of a front illustration and an architectural schematic,
side view, by Roger Hayward titled "Suburban Railroad Station." Submitted to the
Department of Architecture, Massachusetts Institute of Technology, June 1919.
1.10.
Reproduction of a pen and ink drawing by Roger Hayward depicting a man and woman dancing.
Drawing includes the phrase "Oh, Divine Dance! Oh, Grecian Grace! How like The Celestial
Camel!" 1921.
Reproduction of a pen and ink drawing by Roger Hayward depicting a person gazing at
a building amidst harsh winter weather. Drawing includes the caption "Picture of
a student trying to find the 'stute." 1921.
Black and white photograph of a pencil drawing by Roger Hayward titled "A Grand Staircase
in an Opera House." Project for Art III class, Massachusetts Institute of Technology,
December 9, 1921.
1.11.
Black and white photograph of a pencil drawing by Roger Hayward titled "A Staircase
in an Opera House." [front and aerial views] Project for Art III class, Massachusetts
Institute of Technology, December 9, 1921.
1.12.
Black and white photograph of an illustration by Roger Hayward titled "Tech Show 1922,
The Wrong Steer." Illustration depicts a caveman, cavewoman and child riding a bull,
1922.
1.13.
Newspaper Clipping: "An Additional Honor to Roger Hayward," [re: Hayward's receipt
of the Rotch Prize from the Massachusetts Institute of Technology] Boston Evening Sentinel, June 19, 1922.
Black and white photograph of a snow sculpture of a Naval officer holding a leashed
dog, ca. 1923.
Black and white photograph of Roger Hayward, two unidentified boys and Betty Hayward,
posing next to a snow sculpture of a Naval officer holding a leashed dog, ca. 1923.
1.14.
Black and white photographs of a snow sculpture of a Naval officer holding a leashed
dog, ca. 1923. Two photographs.
1.15.
Color reproduction of an illustration by Roger Hayward titled "Tom Piper's Pig Hilltop."
Illustration depicts a Scottish piper leading a pig on a leash. The Drama Club of
Evanston, 1923. Illustration is captioned: "The poster on the cover page of the program was chosen
by the judges, Lorado Taft and Milo Winter as the most worthy in the national contest
for a Junior Play poster; it was drawn by Roger Hayward of Roslindale, Mass.".
1.16.
Newspaper Clipping: "Keene Man Honored as Architect, Receiving Medal." New Hampshire Sunday Union Leader, February 10, 1923.
Black and white photograph of an illustration by Roger Hayward titled "Daddy Long
Legs." Illustration depicts a large spider with the face of an elderly man looming
over a seated young woman. Ca. 1920s.
Black and white photograph of Roger, Julian, Hilda and Betty Hayward seated outdoors
on a rocky surface. Roger sits beneath an umbrella, smoking a cigarette with a sketch
pad resting in his lap. Julian faces the camera, Hilda and Betty are knitting and
look away from the camera. Ca. 1920s.
1.17.
Brown tone etching of a medieval hilltop town, by Roger Hayward. Annotated "First
Plate." 1924.
Brown tone etching of a harbor scene, by Roger Hayward. A home on a rocky inlet is
depicted in the foreground, a sailing ship appears in the background. Annotated "Second
Plate." 1924.
1.18.
Black and white etching of a country home attached to an open-air workspace, by Roger
Hayward. Ca. 1920s.
Black and white etching of a fishing scene, by Roger Hayward. Fishermen seated on
a dock are depicted on the left of the image, while two men in row boats come ashore
in the center of the image. In the background several shacks are depicted. Ca. 1920s.
1.19.
Black and white photographs of an elaborate demonic costume, complete with mask and
artificial hands. 1923.
Page is annotated: ""Klesk' the idol personified in 'A Night at an Inn,' a play by
Lord Dunsancy. The part was taken by Judge Chester A. Jordan and produced in Keene
May 15, 1923. Directed by Mrs. W. E. Wilber. Made by Roger Hayward."
1.20.
Color reproduction of an emblem created for the Keene, New Hampshire Chamber of Commerce
by Roger Hayward. Emblem features an elm tree in the background and reads "The Elm
City, Member, Merchants Division, Chamber of Commerce." 1924.
Newspaper Clipping: "Merchants Adopt Emblem to Denote Organization," New Hampshire Union Leader [?], October 6, 1924.
Black and white etching of a Venetian canal scene, by Roger Hayward. Ca. 1920s.
1.21.
Newspaper Clipping: "The Eliza G. Radeke Art Museum Dedicated Today at the Rhode Island
School of Design in Providence," Boston Evening Transcript, April 24, 1926. Annotated: "Roger Hayward, Delineator".
Postcard featuring a captioned photograph of the "Rhode Island School of Design, Entrance
to New Museum Building," 1924.
1.22.
Newspaper Clipping: "New Art Museum Opened Today in Providence," Boston Evening Transcript, April 24, 1926.
1.23.
Newspaper Clipping: untitled image of a proposed Presbyterian cathedral, Washington,
D. C. Annotated: "Rendered by Roger Hayward." The New York Times Magazine, April 1, 1928.
Newspaper Clipping: untitled, caption reads "Design for American Cemetery Chapel Near
Fere-en-Tardenois." Annotated: "Roger. Delineator." The New York Times Magazine, July 17, 1927.
Reproduced pencil drawing, caption reads "A pencil rendering by Roger Hayward showing
the proposed design by Cram & Ferguson for the North Transept of the Cathedral of
St. John the Divine now under construction in New York City." Pencil Points, May 1926.
1.24.
Newspaper Clipping: untitled, caption reads "Proposed Chapel for Aisne-Marne American
Cemetery Near Belleau Wood. This and Other Designs on These Two Pages Have Been Approved
by the American Battle Monuments Commission. Annotated: "Deecls of the A. E. F.
Roger = Delineator." The New York Times Magazine, [?] July 17, 1927.
Black and white close-up photograph of Betty and Roger Hayward, ca. 1920s.
Black and white close-up photograph of Roger Hayward, Betty Hayward, an elderly woman
and elderly man. [Ina and Robert Hayward?] Annotated: "101 Court St." Ca. 1920s.
1.25.
Newspaper Clipping: "U. S. Chapel for Battlefields," unknown publication, ca. 1927.
Newspaper Clipping: "The North Shore Art Association Show," unknown publication, July 23, 1928.
Black and white photograph of Betty Hayward, seated and smiling near the ocean, ca.
1920s.
1.26.
Newspaper Clipping: "The Art Club's 49th General Show," Providence (Rhode Island) Journal, March 21, 1928.
Brown tone etching print of a young man kneeling in prayer amidst an ornate cathedral
setting. Included in the details of the cathedral are numerous visual allusions to
the architectural profession. Annotated: "A Christmas card designed by Roger for
Ralph Adams Cram," 1927.
1.27.
Newspaper Clipping: "Business Men and Art," Boston Herald, May 7, 1928.
Newspaper Clipping: "Business Men's Exhibition - Boston Art Club," Boston Transcript, May 5, 1928.
1.28.
Program: Boston Business Men's Art Club, First Exhibition, May 2-12, 1928.
Newspaper Clipping: "Business Men Prove Skill in Varied Fields of Art," unknown publication,
May 3, 1928.
Newspaper Clipping: "Products of Brush of Roger Hayward Praised," Keene (New Hampshire) Evening Sentinel, May 7, 1928.
Photographs of four masks, perhaps created by Roger Hayward, ca. 1920s. Two photographs.
1.29.
Newspaper Clipping: Photograph of a portrait of a boy and his father. Annotated:
"Portrait of Wm. T. Aldrich and son by Chas. Hopkinson. Guild of Boston Artists,"
unknown publication, May 1928.
Photographs of a sculpture of an elderly nude woman, ca. 1920s. Five photographs.
1.30.
Print of an etching titled "Mont San Michel," ca. 1926.
Print of an etching titled "Siena," ca. 1926.
1.31.
Newspaper Clipping: "In the World of Art," Boston Sunday Herald, February 12, 1928.
1.32.
Newspaper Clipping: "Roger Hayward Will Exhibit Water Colors," Keene (New Hampshire) Evening Sentinel, February 6, 1928.
[Continued from 1.31] Newspaper Clipping: "In the World of Art," Boston Sunday Herald, February 12, 1928.
Program: Exhibition of Water Colors by Roger Hayward, Grace Horne's Galleries, February 6-18, 1928.
1.33.
Meeting Announcement: Historical Society of Cheshire County. Annotated: "Seal (above)
Designed by Roger Hayward, 1928. Tipped in are photocopies of all six seal designs submitted by Hayward to the Historical
Society.
1.34.
Program: Old Home Week - Reed Free Library, sponsored by the Surry [New Hampshire]
Old Home Week Association. Invitation is annotated: "Original plans for the Library
were made and contributed by Roger Hayward - direct descendant of Peter Hayward, the
First Settler. Corner Stone laid Aug. 1, 1932." August 22, 1934.
Print of an etching featuring an image of boats floating on clouds. Annotated: "A
Christmas Card: Designed and Etched in 1928 by R. H.
Newspaper Clipping: "Chez Grace Horne," Boston Herald, February 1929.
Black and white passport photograph of Roger Hayward, August 1926.
1.35.
Newspaper Clipping: "Young Boston Architect Jumps Into Fame Over Night as Painter,"
Boston Traveler, March 1, 1929.
Newspaper Clipping: "Exhibition of Paintings and Water Colors by Roger Hayward, Grace
Horne's Galleries," unknown publication, February 1929.
Newspaper Clipping: "Art in Boston, Grace Horne's Galleries," Christian Science Monitor, February 1929.
1.36.
Newspaper Clipping: "Roger Hayward Exhibits His Water Colors and Oil Paintings," Boston Post, February 23, 1929.
Program: Exhibition of Paintings and Water Colors by Roger Hayward, Grace Horne's
Galleries, February 11-23, 1929.
Newspaper Clipping: "Former Keene Man's Pictures Exhibited," Keene (New Hampshire) Evening Sentinel, February 19, 1929.
Black and white photograph of two masks created by Roger Hayward. Ca. 1920s.
1.37.
Newspaper Clipping: "Artist Paints Anglers' Paradise," Boston Globe, February 1929.
Newspaper Clippings: untitled photographs of two masks created by Roger Hayward, unknown
publication, ca. 1920s. Two newspaper clippings.
Newspaper Clippings: Advertisements for the Third Annual Exhibition of the Boston
Society of Independent Artists. Annotated: "Fountain - by R. Hayward." Unknown publication,
January 14, 1929. Two newspaper clippings.
1.38.
Newspaper Clipping: "Roger Hayward's Art Work Highly Lauded," Keene (New Hampshire) Sentinel, March 4, 1929.
Newspaper Clipping: "Water Colors on Exhibition Here," Boston Herald, February 27, 1929.
Black and white photographic portrait of Roger Hayward, ca. 1920s.
Black and white photographic portrait of Betty Hayward, ca. 1920s.
Black and white photograph of a watercolor painting by Roger Hayward. The painting
depicts a sunny path leading through the forest. Ca. 1929.
1.39.
Black and white photographs of Roger and Betty Hayward posing in front of their home,
their garage and amidst a desert landscape. Annotated: California, arr[ived] April
20, 1929. 365 So. Wilson St. - Pasadena. 1929. Seven photographs.
Magazine illustration captioned "Projected New Home of Los Angeles Stock Exchange."
Annotated: "S. L. Lunden - Architect, Original Design & Rendered by Roger Hayward."
Los Angeles Saturday Night, June 29, 1929.
1.40.
Newspaper Clipping: "Exhibits Defy Summer - Lithographs, Water Colors, Group Shows
of Paintings Blossom These Warmer Days," Los Angeles Times, August 11, 1929.
Black and white photographs of watercolor paintings by Roger Hayward. Paintings include
images of cowboys on horseback, an industrial landscape, a still life of cacti and
a carnival carousel, 1929. Five photographs.
Black and white photograph of an unidentified man.
1.41.
Black and white photographs of watercolor paintings by Roger Hayward. Paintings include
industrial, agricultural and western scenes, 1929. Eight photographs.
Flyer: "The Role in Art," a lecture by Roger Hayward scheduled for January 18, 1951, the Athenaeum, California Institute of Technology.
1.42.
Program: California Water Color Society exhibition, Los Angeles Museum, October 2 - November 3, 1929.
Black and white photographs of watercolor paintings by Roger Hayward. Paintings all
depict western scenes and landscapes, 1929. Eight photographs.
1.43.
Black and white photographs of watercolor paintings by Roger Hayward. Paintings depict
western canyon landscapes, perhaps the Grand Canyon. 1930s. Two photographs.
Black and white photographs of Betty and Roger Hayward posing with their automobile.
Ca. 1930s. Two photographs.
Newspaper Clipping: "Mid-April Brings Rush of Varied Art Exhibits," Los Angeles Times, April 17, 1932.
1.44.
Newspaper Clipping: untitled article re: new St. Vincent's church in Los Angeles.
Annotated: "1933? Roger designs two alters & sacred emblems on walls of St. Vincents'
Church for R. H. Cram. Also mosaics for the Doheny Memorial Library, University of
Southern California." Unknown publication, ca. 1933.
Newspaper Clipping: "More Cathedral Windows by Boston Artist," unknown publication,
ca. 1933.
1.45.
Newspaper Illustration: "New Los Angeles Stock Exchange Building from an etching by
Harrison Clarke." Annotated: "Original Design by Roger Hayward. Impedimenta by S.
C. Scarpitta - Sculptor." Boston Herald, January 1931.
1.46.
Magazine Illustration: "Superb Bronze Doors at Entrance to New Stock Exchange." Annotated:
"Roger - designer & delineator fro Sam L. Lunden." Los Angeles Saturday Night, January 10, 1931.
Magazine Clipping: "Los Angeles Stock Exchange Artistic Bronze Doors," Los Angeles Saturday Night, January 10, 1931.
Black and white photographs of scenes from a puppet show produced by Roger, Betty
and Julian Hayward. Annotated: "Puppet scenes from the Arabian Nights." Ca. 1932-1933. Three photographs.
1.47.
Black and white photographs of scenes from a puppet show produced by Roger, Betty
and Julian Hayward. Images feature a male and female puppet wearing German dress.
Ca. 1932-1933. Eight photographs.
1.48.
Flyer: "The Beroju Puppet Theatre, Every Friday Night at 8:30." Annotated: "Depression
Activities of 1932 & 1933. Roger, Betty and Julian.".
Black and white photographs of scenes from puppet shows produced by Roger, Betty and
Julian Hayward. Images include scenes from "Arabian Nights," a depiction of the Grim
Reaper and another featuring a ballerina and French soldier. Ca. 1932-1933. Eight photographs.
1.49.
Black and white photographs of scenes from puppet shows produced by Roger, Betty and
Julian Hayward. Images include scenes from "Arabian Nights," a depiction of an African-American
vaudevillian and another of a scientist operating a machine possessing the ability
to bring the dead back to life. Ca. 1932-1933. Five photographs.
1.50.
Flyer: "The Beroju Puppet Theatre, Every Friday Night at 8:30," 1932-1933.
Black and white photographs of scenes from puppet shows produced by Roger, Betty and
Julian Hayward. Images include scenes of a male and female puppet wearing German
dress, a depiction of the Grim Reaper, characters in "Arabian Nights" and an orator
in American colonial dress. Ca. 1932-1933. Five photographs.
1.51.
Black and white photographs of scenes from "The Sorcerer's Apprentice" puppet show,
produced by Roger, Betty and Julian Hayward. One photograph is taken from the vantage
point of the puppeteers. Ca. 1932-1933. Three photographs.
1.52.
Newspaper Illustration: captioned "Model of the moon for the Griffith Observatory,
Los Angeles, nears completion at the hands of Roger Hayward, architectural astronomer.
When installed it will give the illusion of looking at the moon from a space-ship
hovering close to its surface." Boston Sunday Herald, October 28, 1934.
Black and white close-up photographs of the Griffith Observatory moon model. 1934. Four photographs, one of which is annotated "Aristarchus".
1.53.
Newspaper Clipping: "Roger Hayward, Sculptor, Assists in Making Model of Moon for
Observatory," Keene (New Hampshire) Evening Sentinel, October 30, 1934.
Newspaper Clipping: "Planetarium for Boston Without Government Aid," letter to the
editor by R. H. Parker, Boston Herald, November 1, 1934.
Newspaper Clipping: "Worcester Paper Prints Photograph of Sculptor Hayward's Moon
Model," Keene (New Hampshire) Evening Sentinel, [?] November 9, 1934.
Black and white photographic portrait of Roger Hayward peering at the camera out of
shadow. Ca. 1930s.
1.54.
Newspaper Clipping: "Science, Art Completing 'L. A. Moon,'" Los Angeles Herald, November 21, 1934.
Newspaper Illustration: "They've Got the Man in the Moon Hard at Work," Pasadena Post, November 14, 1934.
Black and white photographic portrait of Roger Hayward, shot in profile, engulfed
in shadow. Ca. 1930s.
1.55.
Newspaper Illustration: "Los Angeles Will Have Moon of its Own," The New York Times, November 5, 1934. Page annotated: "The above photo-print was used as a cover design in the German
magazine Die Wocke, December 1, 1934. A photo-print similar to one in The Literary Digest was used by The London Illustrated News, November 24, 1934.
1.56.
Newspaper Illustration: "Modelling the Moon!" Albany (New York) Times-Union, October 18, 1934.
Magazine Clipping: "An Observatory for the Public," The Literary Digest, April 20, 1935.
1.57.
Newspaper Clipping: "Moon Brought Down to Earth by Astronomer and Sculptor" The Christian Science Monitor, November 21, 1934.
1.58.
Self-portrait, in pencil, of Roger Hayward and portrait of Betty Hayward, ca. 1930s. Page annotated "Chess-men Cast in Lead".
1.59.
Black and white photograph of Roger Hayward holding his glasses and looking to his
right. Ca. 1930s.
Black and white photographic portrait of Roger Hayward, propping his head up with
his right hand, looking to his left and grinning. Ca. 1930s.
1.60.
Black and white photographic portrait of Roger Hayward, staring directly at the camera
in a serious pose. Ca. 1930s.
Black and white photographs of a loom designed and built by Roger Hayward as well
as images of Betty Hayward using the loom. Page annotated: "Betty's Loom, made by
Roger, 1935-1936. Seven photographs.
Black and white photographic portrait of Betty Hayward, seated, peering into the camera
and holding a book in her lap. Ca. 1935-1936.
1.62.
Black and white photographs of a telescope built by Roger Hayward, ca. 1935-1936. Eight photographs.
1.64.
Black and white photocopy of a Hayward family photograph. Photograph is captioned:
"Left to Right (Top): Terry (wife of Peter), Roland Parker (husband of Hilda), Julian
Hayward, [Julian's] twin brother Peter Hayward; Bottom: Roger, sister Hilda (Hayward)
Parker, Betty (wife of Roger), Robert Hayward (father), Ina Phelps Hayward (wife [mother
of Roger]), Julian's wife, [Julian's] daughter; Children: Miriam (Parker) Kramer,
Nancy Hayward (daughter of Peter/Terry)." Page annotated: "At the Knoll," December 1938.
1.66.
Certificate: Election of Roger Hayward to Resident Membership in the University Club
of Los Angeles, May 25, 1953.
1.67.
Black and white photographs of scenes from "The Sorcerer's Apprentice" puppet show,
produced by Roger, Betty and Julian Hayward. Ca. 1932-1933. Two photographs.
1.68.
Black and white photographs of scenes from "The Sorcerer's Apprentice" puppet show,
produced by Roger, Betty and Julian Hayward. Ca. 1932-1933. Two photographs.
1.69.
Black and white photographs of scenes from "The Sorcerer's Apprentice" puppet show,
produced by Roger, Betty and Julian Hayward. Ca. 1932-1933. Two photographs.
1.70.
Black and white photographs of scenes from "The Sorcerer's Apprentice" and "Arabian
Nights" puppet shows, produced by Roger, Betty and Julian Hayward. Ca. 1932-1933. Two photographs.
1.71.
Black and white photograph of a scene from a puppet show produced by Roger, Betty
and Julian Hayward. Image depicts a demon and a preacher confronting one another.
Ca. 1932-1933.
Black and white photograph of two masks created by Roger Hayward. Ca. 1930s.
1.72.
Black and white profile photograph of Roger Hayward drinking a Pabst beer. Annotated:
"At Palomar, 100-1 Shot Meeting, 1937".
Black and white photograph of Roger Hayward arranging the strings on a kite. Ca. 1930s.
Black and white photographs of four masks created by Roger Hayward. Ca. 1930s. Two photographs.
1.73.
Black and white photographs of Roger Hayward standing on a hilltop and flying a kite.
Ca. 1930s. Two photographs.
1.74.
Black and white photograph of Roger Hayward and an unidentified woman standing on
a hilltop and flying a kite. Ca. 1930s.
Black and white photograph of Roger Hayward holding a kite and conversing with two
unidentified men standing on a porch. Ca. 1930s.
1.92.
Black and white photographs of Roger Hayward dressed formally and standing outdoors.
Page annotated: "At Fifteen and Sixteen." 1914-1915.
1.93.
Black and white photograph of Hilda Hayward holding an infant Roger. Annotated: "3
mos." 1899.
Black and white photograph of Hilda, Roger and mother Ina Hayward seated together
on a bench. Annotated: "Roger - 6 mos." 1899.
Black and white photograph of Roger Hayward standing and gesturing towards the camera
with his hands. Annotated: "'The Farm' - 1.5 yrs old." 1900.
Black and white photograph of Roger Hayward seated with and holding his mother Ina.
Annotated: "Court St. - 4 yrs." 1903.
Black and white photographs of Roger Hayward posing outdoors. In one image he is
seated and examining a leaf, in another he stands amidst a flock of chickens. Page
annotated: "'The Farm' 3.5 yrs." 1902. Three photographs.
1.94.
Black and white photographs of Roger Hayward seated in a chair and posing. In one
image he holds a model horse-drawn stagecoach. Annotated: "6 yrs. old." 1905.
Black and white photograph of Roger and Ina Hayward standing in a field. Both are
dressed formally and holding flowers. Ca. 1905.
Black and white photograph of Roger Hayward wearing formal dress, posing outside.
Annotated: "Court St., 7 yrs. old." 1906.
Black and white photograph of Roger and Ina Hayward wearing formal dress and posing
outside with a baby carriage. Annotated: "Roger at seven." 1906.
Black and white profile photograph of Roger Hayward squatting next to the banks of
a pond. Annotated: "The Frog." Ca. 1905.
Black and white profile photograph of Roger Hayward seated on a log and gazing across
a plain. Annotated: "Surry Mt." [Surry Mountain Lake, New Hampshire?] Ca. 1905.
Black and white photographic portrait of Roger Hayward. Annotated: "7 or 8 yrs."
Ca. 1907-1907.
5.002.
Photographs. 1932-1947, 1960s. 12 photographs
2.1.
Black and white photograph of Roger Hayward as a young boy, seated outdoors on a wooden
chair, peering to his left. Annotated: "Roger at the Stearns Farm, about 6 yrs. 'For
a boy's will is the wind's will, and the thoughts of youth are long, long thoughts'". Ca. 1905. Two copies.
2.2.
Black and white photograph of Roger Hayward examining blueprints with four colleagues
at the S. E. Lunden Architecture Firm, Los Angeles, California. July 1932.
2.3.
Black and white photographs of Roger Hayward and Caspar Gruenfeld building the Griffith
Observatory moon model, Los Angeles, California. 1934. Three photographs.
2.4.
Black and white photographic portrait of Roger Hayward, propping his head up with
his right hand, looking to his left and grinning. ca. 1930s. Three copies.
2.5.
Black and white photographic portrait of Roger Hayward, looking to his left. ca. 1930s.
2.6.
Black and white photograph of Pauline Gilferd and Roger Hayward, seated with sketchbooks
in their laps. Standing behind Gilferd and Hayward are a number of observers. ca. 1945-1946.
2.7.
Black and white photograph of Roger Hayward demonstrating the use of a military machine
gun. Captioned: "Three Vector Sight-Port Waist Gun. Forward side view, showing extreme
position, gun depressed and aimed aft. Mt. Wilson Observatory - Pasadena, Calif". ca. 1947.
2.8.
Black and white photograph of Roger Hayward demonstrating the use of a military machine
gun. Captioned: "Three Vector Sight-Port Waist Gun. Forward side view, showing extreme
position, gun elevated and aimed aft. Mt. Wilson Observatory - Pasadena, Calif". ca. 1947.
2.9.
Black and white photograph of Roger Hayward seated with a group of men in military
uniform, Mount Wilson Observatory, near Pasadena, California. Annotated: "Mt. Wilson
- Santa Barbara St". ca. 1940s. Two copies.
2.10.
Black and white photograph of Roger Hayward squatting, smoking a cigarette and tracing
with his finger an enumerated trajectory that has been drawn on the floor. ca. 1940s. Two copies.
2.11.
Black and white photograph of an unidentified woman and Roger Hayward conversing at
an outdoor art exhibit, possibly the Pasadena Art Fair. ca. 1940s.
2.12.
Black and white photographic portrait of Roger Hayward, chin in hand, peering to his
left. ca. 1960s.
5.003.
Newspaper Clippings and Magazine Articles. 1923-1936, 1942, 1952-1966, 1979, 2007. 41 folders
3.1.
Newspaper Clipping: "Keene Man Honored as Architect, Receiving Medal." New Hampshire Sunday Union Leader. February 10, 1923.
3.2.
Newspaper Clipping: "The Critics." Boston Evening Transcript. January 14, 1928.
3.3.
Newspaper Clipping: "Thieme and Hayward." Boston Herald. February 12, 1928.
3.4.
Newspaper Clipping: "The Art Club's 49th General Show." Providence (Rhode Island) Journal. March 21, 1928.
3.5.
Newspaper Clipping: "Business Men's Art Club Exhibit Opens." Boston Globe. May 2, 1928.
3.6.
Newspaper Clipping: "Business Men's Art Club Opens Its First Exhibit." Unknown publication. May 3, 1928.
3.7.
Newspaper Clipping: "Art Club Show." Boston Evening Transcript. May 19, 1928.
3.8.
Newspaper Clipping: "In the World of Art." Boston Herald. June 10, 1928.
3.9.
Newspaper Clipping: "In the World of Art." Providence (Rhode Island) Journal. July 1, 1928.
3.10.
Newspaper Clipping: "Bound [?] for Exhibit - Mr. Newhall's Portraits." Boston Herald. October 21, 1928.
3.11.
Newspaper Clipping: "Many Artists Represented at Grace Horne's Galleries." Boston Evening Transcript. January 16, 1929.
3.12.
Newspaper Clipping: "Roger Hayward Will Exhibit Water Colors." Keene (New Hampshire) Evening Sentinel. February 6, 1929.
3.13.
Newspaper Clipping: "Water Colors Flood Grace Horne Gallery." Boston Evening Transcript. February 16, 1929.
3.14.
Newspaper Clipping: "Art in Boston." Christian Science Monitor. February 18, 1929.
3.15.
Newspaper Clipping: "[truncated title]...Selects Three Paintings, One of Which Will
Be Awarded $300 Purchase Prize." Boston Evening Transcript. February 23, 1929.
3.16.
Newspaper Clipping: "Water Colors by Roger Hayward." Boston Evening Transcript. April 3, 1929.
3.17.
Newspaper Clipping: "Art Exhibit at Keene Normal School." Keene (New Hampshire) Sentinel. June 6, 1929.
3.18.
Newspaper Clipping: "The Water Color Society." Los Angeles Times. October 20, 1929.
3.19.
Newspaper Clipping: "Water Colors at the Art Club Annual Show." Boston Evening Transcript. Ca. 1929.
3.20.
Newspaper Clipping: "Exhibit Paintings of Ancient Egyptian Tomb Interiors in Museum."
Boston Herald. February 19, 1930.
3.21.
Newspaper Clipping: "In the World of Art." Boston Herald. February 23, 1930.
3.22.
Newspaper Clipping: "Department Presents California Compositions." Daily Bruin (University of California, Los Angeles). March 3, 1931.
3.23.
Newspaper Clipping: "Water Colors by the Sea." Los Angeles Times. July 19, 1931.
3.24.
Newspaper Clipping: "Art Club Show Below Par." Los Angeles Times. November 16, 1931.
3.25.
Newspaper Clipping: "New Green Street Rendezvous Opens." Pasadena Star-News. November 1931.
3.26.
Newspaper Clipping: "An Eastern Artist Portrays the West." Boston Post. Ca. 1936.
3.27.
Newspaper Clipping: "California Cavalcade," by Art Penn. One-panel illustration including
drawing of "The World's Largest Imitation Moon." Burbank News and Burbank Aircraft News. April 30, 1942.
3.28.
Newspaper Clipping: "Art Institute Reception Set." Pasadena Star-News. December 12, 1952.
3.29.
Newspaper Clipping: "Handweavers to Meet." Pasadena Star-News. April 27, 1953.
3.30.
Newspaper Clipping: "Artists, Amateurs Busy Planning for City's 10th Annual Art Fair."
Pasadena Star-News. August 15, 1954.
3.31.
Newspaper Clipping: "Styles in Art Topic of Open Session." Pasadena Star-News. October 19, 1955.
3.32.
Newspaper Clipping: "Art in Tucson - Ford's Collection of Watercolors Varies from
Dull to Interesting." Unknown publication. December 11, 1955.
3.33.
Newspaper Clipping: "Roger Hayward Elected Head of Artists' Society." Pasadena Star-News. April 26, 1956.
3.34.
Magazine Article: Captioned photograph of Betty and Roger Hayward ordering a meal
in the University Club Tavern Room. University Club Toreador, 5, 9 (3). Fall 1956.
3.35.
Newspaper Clippings: "Pasadena Artist at Sorority Meet" and "Art Exhibit Well Attended."
Hi-Desert Star [Morongo Basin, California]. May 29, 1958.
3.36.
Newspaper Clipping: "Artist Coaches 'Orphan' - Hayward Helps Hathaway Home." Pasadena Star-News. February 9, 1959.
3.37.
Newspaper Clipping: "Hayward Work to be Displayed." Monrovia (Calif.) Daily News-Post. January 5, 1961.
3.38.
Newspaper Clipping: "Architect-Artist Has Extraordinary Gifts." Pasadena Independent Star-News. January 15, 1961.
3.39.
Newspaper Clipping: "Mrs. Hart Visiting Friends, Family." Pasadena Star-News. June 1, 1966.
3.40.
Newspaper Clipping: "Pasadena Architect Dies at 80." Pasadena Star-News. October 16, 1979.
3.41.
Magazine Article: "Roger Hayward, Forgotten Artist of Optics." Sky & Telescope. September 2007.
5.004.
Assorted Biographical Materials. 1917-1980, undated. 7 folders
4.1.
Biographical Abstracts and Curricula Vitae. 1932-1980.
File includes Typescript: "Biography of Roger Hayward, Class of '22," by Samuel E.
Lunden, January 18, 1980.
4.2.
Biographical Materials compiled by Dr. James R. Kramer. undated.
4.3.
Birth and Death Certificates. 1926, 1980.
4.4.
Certificates, Licenses and Membership Cards. 1917-1918, 1926-1928, 1934, 1937, 1939, 1943, 1945-1946, 1948, 1951, 1965, 1973, 1979.
4.5.
Financial Materials. 1925, 1927-1929, 1933-1934, 1974.
File includes correspondence with the purchasers of the Haywards' Pasadena home, 1974
4.6.
Genealogical Materials. undated.
4.7.
Assorted Materials re: New Hampshire. 1917, 1928, 1968.
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