00:00:00TIAH EDMUNSON-MORTON: Okay, go ahead.
LEE LARSEN: My name is Lee Larsen. We're at Two Town Cider House. I was here in
Corvallis, Oregon. I was born in 1985, and today is February 20th, 2017.
TEM: I wish I could give you a star. Great job. That's the trip up part. So you
were born in Corvallis? Is that right?
LL: Yes. Good Samaritan. I was born in Good Samaritan.
TEM: Where did you go to elementary school?
LL: Elementary school, I went to Mountain View and Montessori.
TEM: What were some of the things that you liked to do when you were little?
LL: I really liked running around the forest, building forts, climbing trees,
playing a lot of soccer. As I got a bit older, I got a lot more into
skateboarding, surfing, snowboarding.
TEM: So Mountain View is the farthest north elementary school, is that right? I
believe that's where you're from.
LL: Yeah.
TEM: So you guys were pretty close to the McDonald Forest area.
LL: Yeah, exactly. I grew up with the McDonald Forest in the back yard.
TEM: Okay, nice. So then you didn't go to high school for most of your high
school here though. Where did you spend most of your high school years?
LL: Correct, so after going to Sheldon Middle School, we moved at the end of 8th
grade, going into 9th grade to Barcelona, Spain. And I went to an international
high school called Benjamin Franklin International School. It was somewhat
center town in Barcelona, probably.
TEM: Did you speak Spanish?
LL: When I moved there, I knew all of the words that were the same in English as
in Spanish. So no. No.
TEM: What about your family? Did they speak Spanish or was it kind of set up so
that you were going to a school where you could learn in English?
LL: Yeah, so no one in my family really knew Spanish. My mom had been studying
some. My dad definitely didn't know any Spanish. But he was working at Hewlett
Packard at the time and got a job over in Barcelona, technically in
Saint-Quebec, which is not Barcelona City, Barcelona probably, but it's a little
city that's about a 30 minute train ride from Barcelona. And so from that job,
that's what moved the whole family over there. At the time, my brother actually
was just starting university at the University of Washington. But my sister and
I, sorry, brother and sister, my sister and I went to live in Barcelona. And the
way Benjamin Franklin worked is the predominant language was English, but there
were more classes in different languages than just specifically like, oh, I'm
going to take Spanish or French. And so it was kids from all over, as you would
assume, kids from all over the globe that were in similar positions. But our
parents went to work in Barcelona. They were kind of connected through the school.
TEM: That must have been quite a transition from Corvallis in the, doing my
math, mid, no, late 90s? No, early 2000s.
LL: Late 90s.
TEM: Late 90s. I just showed up and couldn't do math on the fly. So quite a
transition, though, even if you were kind of in a suburb of Barcelona, that's
still a pretty high populated area.
LL: Yeah. You know, I mean, going from 45,000 people to 2 million is definitely
a pretty big.
TEM: Yeah. Understatement.
LL: Yeah. No, but it was in the beginning, it was very difficult. You know,
you're leaving all the friendships you've built up to date. And I think high
school is probably for a lot of people kind of when those matter more than not.
So the first six months were pretty rough, but realistically, after the initial
shock wore off, it was amazing. Barcelona is an extremely vibrant city. I was
really into skateboarding at the time. It's one of the most famous skateboarding
cities in the world. And they have a very just vibrant, fun culture. Soccer is
also extremely large in Europe and Spain in general. And so a lot of my key
interests I can do there. So even though I didn't speak the language at all to
start, there were a lot of other activities that really helped me get integrated
because it was kind of another form of communication.
TEM: Yeah. So did you play soccer?
LL: I played a bit of soccer. Mostly I was skateboarding, but some of the
friends I made, their parents had season tickets to come out. So we'd go and
watch Barca play all the time, which was pretty amazing.
TEM: Yeah. What are some of your memories from that time about the stuff that
you liked to do? I guess I'm thinking about food, drink, the culture side of it.
What are some of those high points?
LL: Yeah. So I mean, I think in general, just charcuterie, cured meats, jamon
serrano, iberico. The Mediterranean diet is fantastic. I really, really love
just small little tapas that you just eat all the time. You know, a lot of the
places you go to get a drink and they bring you free tapas to go with your
drink. So you can kind of hang out for quite a while. It's usually lower alcohol
beer. And it's just a very pleasant environment. As far as where cider sort of
came into the picture while I was over there, there were areas, it's mostly in
the northern region where cider has kind of a very large grasp on culture. Not
so much in Barcelona, but there still is a significant amount of cider. And
that's really where I found out about cider, which at the time I didn't really
think that much of. It was another interesting beverage. It was fun to drink.
The beer in Spain is not the best. The wine is pretty fantastic. And it's
especially so cheap. Same with the cider. You can go and buy a reserve bottle.
At that time it was still in pesetas – it hadn’t transferred to the euro yet
while we were there. And it was the equivalent of maybe a dollar for a really
nice bottle of wine. A pretty decent bottle of wine. Which is crazy to think
about. For someone that's used to going to Safeway or a winery around here where
it doesn't even exist. My dad had been big into winemaking for probably at least
15 years prior to us moving there. Him and some of his buddies had always joked
about starting a winery, but it was definitely a thing that piqued his interest.
He was in heaven over there going to all the different wineries. And being in
Europe, everything being so close, we'd do road trips to France and elsewhere.
We'd stop and get super special bottles of wine. Which was always really fun
because I'd get to go along for a ride and try all these wines. But when I first
moved there, it wasn't really for better or for worse. There was no actual
drinking age in Spain. It was more like if your head's over the counter. And
then as soon as I turned 14, it was technically 14. When I turned 16, it was
technically 16. So I was kind of the last.
TEM: You were chasing the drinking age. So your sister came back and started a
cider magazine, is that right?
LL: Yeah, that is correct. When we all moved back, which was my senior year of
high school in 2003, she ended up actually the next year going to Japan. She
lived there for a while. And then she moved back to Spain, to Oviedo, which is
in the northern Basque region. And she actually still lives in Spain. So she I
don't think is ever going to come back. But yeah, when she was there and
specifically living in Oviedo, she got really excited about the cider culture.
And so she started an online magazine. And that was right around 2010. So
similar time to when we started. We started in March 2010. I don't remember
exactly when she launched the online magazine. But it was fun because we kind of
got to throw ideas back and forth. And she would give me amazing insight on what
people were doing in Oviedo, northern region of Spain. So we got to go and visit
Pepe from Piñera. And we went to Menendez, one of these larger cider producers
in the area, and did private tours.
TEM: This is before starting Two Towns?
LL: This was just after starting Two Towns, which was very cool.
TEM: Yeah. Were they similar to vineyards where they would be doing things on
site and have a tasting room in the middle of an orchard? Or were they more
city-based, like with a tap house or all together?
LL: They were definitely more rural. I mean, it was more Spain, which is pretty
much that whole area is. I mean, there's definitely cities, but they don't. It
would be different in that they weren't necessarily all like estate orchards. So
they usually do have their own orchard, but a lot of the fruit, there's only so
many specific cultivars of apples that are grown. And everyone basically knows
what they are in those regions because cider plays such a vibrant part of the
culture and such an important part. And they basically have days where you just
bring whatever apples you have, and they'll weigh them and they'll take them. So
the whole community is kind of part of this, you know, I guess, collecting of
all the fruit and the bounty that exists in the area so the producers can make
the cider. Their way of making cider is, I would say, very, very different than
what you might see here. You know, I think Europe in general, because tradition
dates so far back as opposed to America where everything is relatively new, they
kind of have their ways of doing things, and there's not really a lot of science
behind it, to be completely honest. It's just kind of like, yeah, we always
press it and press it for the same amount of time. We do the same thing, and we
hope it turns out the same, which is very cool and great.
But it was very interesting to see, for instance, when we went and toured
Piñera, one of these fairly small cider producers in the area, I was asking him
in Spanish, I was like, "Well, what yeast do you use?" And my Spanish was a bit
rusty at the time, so I wasn't sure if it was coming across right. And he says,
"I have no idea what you're talking about." I was like, "Okay, let me try to
rephrase that." So I'd ask again, and he's like, "I have no idea what you're
talking about." I was like, "Okay, well, how do you make the alcohol?" He's
like, "Oh, the apples do it." I was like, "Okay, so they just use whatever yeast
is on the apples." And then I asked him, you know, I was just asking basic
questions, like, "Well, how do you ferment at the temperature you want to
ferment?" He goes, "Oh, it always stays at 15 degrees Celsius." And I was
curious at how that was possible, because they have very large fermentation
vessels, and it's an exothermic process. And he was like, "No, no, it's always
the same." I was just like, "Oh, yep, perfect." But it was cool. You know, we
got a sample of all the ciders, and, you know, they call them al naturale. And
basically that just means that they press it, pump it into the tank, it
ferments, settles out. No filtration, no carbonation, no nothing. And then, I
don't know if you've ever seen them pour it, but when you're sampling it, either
you pour it over your head so it falls, and a little bit of dissolved CO2 in
solution comes out of solution, so it kind of gives, you know, there is some
aromatics that kind of burst out. Or if you're taking it off a tank, you
literally hold your glass out, you know, about as far as you can, open the tap
over here so it shoots, hits the corner of the glass. Which is pretty cool. And
one of the other funnier or more funny moments when we were over there was, I
was asking Pepe, I was like, "Well, you know, when you're doing this all the
time, I imagine when someone gets sick, everyone gets sick, and he goes, "Yeah,
you know, no one's ever sick. We're always all the same." And so I thought that
was a pretty good comment.
TEM: Maybe, yeah, you're all sick at the same time, so you don't seem sick.
LL: Right, exactly. No one's actually sick, everyone's just how they are.
TEM: Yeah, how they are. So when you came back, graduated from Crescent Valley, right?
LL: Yep. Or, sorry, CHS, Corvallis High School.
TEM: Oh, okay, okay. I think I must have mixed. So which of the three of you
went to Crescent Valley?
LL: Dave went to Crescent Valley and Aaron went to Crescent Valley. Technically,
based on what my parents said, I should have gone to Crescent Valley, but I
decided to go to CHS.
TEM: Was there like a rivalry, like a high school rivalry between you three?
LL: No, not really. No, definitely after high school, going to OSU and U of O,
now there's where more of the rivalry comes in, but on the high school level,
definitely no.
TEM: So did you think about, when you were thinking about high school, did you,
or thinking about college, was fermentation something that you thought about as
a potential course of study?
LL: Yeah, at the end of high school, very beginning of college was kind of when
I started getting into the idea of home brewing and I thought that was really
cool and I made wine with my dad a couple times. And so that was something I
definitely wanted to pursue. I don't think I, at that time, thought it was
anything more than a long-term kind of dream of something I might like to do.
And as college progressed, I started taking some classes. I was, and my focus
wasn't business, that's what I'd done. I grew up, I'd kind of always been buying
and selling things on eBay and my dad had always been teaching me about the
stock market and I liked math and so I did the finance side of business, but I
also took a lot of classes, some with Dave, some with other friends, in
fermentation sciences because I was very interested in it.
TEM: Yeah, it seems like it's probably a hard major to drop into, from what I've
heard about.
LL: Yeah, it's, I think the hardest part about it was most of my business bacc
core, and I'm sure it's similar for other degrees, the bacc core didn't line up
very well. And so I was taking several, it probably took ten or so classes, and
I was thinking about getting a degree in it, but then I realized it didn't
really make a lot of sense because I was going to have to spend so much time
doing the bacc core, I should just finish my degree in finance, and then if I
wanted to go back and do something else, I could do that then, but for the time
being. And I also, I'm a much more practical person, I like doing things as far
as studying in the class environment. I'm not the best student, I'm much better
at actually doing things.
TEM: So when you graduated, you graduated in 2009?
LL: Yep.
TEM: So was there, were you and Aaron already talking at that point in 2009
about Two Towns? Or a business, I guess you probably didn't have the name immediately.
LL: Yeah, it was shortly after, but when I graduated, that wasn't really on the
horizon. We, I grew up, so my brother, who's four years older than Aaron, was
the same age, are best friends. So I grew up with Aaron, I've known Aaron for 27
of the 31, maybe 26 years. But we hadn't spoken in quite a while, however, the
last time I did see Aaron was when we were living in Barcelona. He actually came
out to visit, and I kind of took him all around town, went out and tried cider,
tried wine. And that was a really fun bonding experience. And then, you know, we
kept in touch and talked to each other every year, but it wasn't more frequent
than that really. And then in 2009, actually, in the summer, and I had graduated
earlier on in the year, was my brother's wedding. And at my brother's wedding, I
had made a bunch of beer and some cider for the wedding. And that was when we
really started talking about wanting to do something within the, I guess,
fermentation world. Whether that was beer, cider, or wine. So cider was
definitely a strong focus, but at that point, I think really we were just
excited to maybe branch out and do something on our own, specifically with fermentation.
TEM: How many cideries were in Oregon when you started?
LL: I think there was three other ciders, I think. Because there's Blue
Mountain, Wandering Aengus, and [unintelligible].
TEM: So we are almost at 20 minutes. How do you feel about time?
LL: Let's go another four, five minutes.
TEM: Okay. So I'm curious about how you learned. At that point, you could go on
the internet. Obviously, there's a homebrew shop here. There are homebrew clubs.
How did you educate yourself about how to come up with new things, I guess? Not
just the, "I take this and this and put it together and then alcohol happens."
But that kind of, the creative side of it all.
LL: So I think a lot of the strengths Two Towns has had in general is we have a
very diverse group of people all working together. Dave, for instance, his
background in fermentation science, getting a master's in enology from OSU, is
just as far as book smarts is invaluable because he knows how to fix things very
quickly and he has connections to the right people to help figure it out. Also,
Dave and I, we always kind of laugh that we're winemakers with a crafty mindset.
I think that makes a big difference. To answer your point, we're always trying
to learn or try new things and kind of push the bounds of what cider maybe can
be and maybe historically has been. It's a really cool time to be in cider
because that framework doesn't currently exist. The history of cider in the U.S.
is well known, but a lot of that knowledge has been lost over time and now it's
really the resurgence and people are starting to redefine what different styles
of cider are, how they taste, what quality standards should be, and what crazy
wild things can you do. A lot of that culture is coming directly from the craft
beer industry. The craft beer industry has done an amazing job really continuing
to try to innovate and make new products and very minute changes or extreme
changes, but it's incredible. I think we have a similar approach in that sense
where we're just always trying to learn, try new things, and experiment,
experiment, experiment.
TEM: You referenced history. Obviously, I think a lot about history. I'm
curious, as one of the people who was on the fore edge, the forefront, do you
think about your impact on what people will write about and how people will know
the beginning or resurgence in this industry in Oregon?
LL: We definitely think about it to some extent. I think from our perspective,
the most impactful thing to do is just to use the highest quality ingredients we
can, work with people as locally as we can, and make the best product we can
with every step of the way. I think just like most products, you have to start
out with the highest quality ingredients because the only thing you can do from
there is mess it up. If you don't start out with the best, you can't make the
best. Then from there, every step of the way, it's important to make sure you're
taking care of that product and guiding it along the way. Now, stylistically,
sure, you can do some wild stuff and you can do these other things, but in the
same way, you want the wild thing to do what you want the wild thing to do. I
think just making sure that people are actually staying true to the craft, I
think part of the reason, aside from prohibition, why cider didn't come back
sooner is because most of the cider that was prevalent in the grocery store,
it's not even really cider. It's like sugar or corn syrup with Chinese
concentrate blended with Jolly Rancher flavoring. It's so far removed from what
actual cider is that people are thinking they're drinking cider, but they're
not. I think it's really just making sure that people are drinking cider that's
actually made from apples, and not only just any apples, but hopefully apples
that for that style of cider should be used in that style of cider.
That's not to say that all of the apples in every cider every day need to be
these traditional French and English bitter sweets. Those create a specific
style of cider, just like you wouldn't use roasted barley, probably in an IPA.
Now, you might if you're making Cascadian dark ale or something, but that's
again a different style. You wouldn't add two pounds of hops per barrel in a
lager probably. I think just helping those distinctions and the styles exist and
actually being true to the style, not just using some syrup or random flavoring
or concentrates or whatever else. I think if you think about the wine industry,
if you went and bought a Pinot Noir, and someone told you it was made from Pinot
Noir concentrate and Pinot Noir flavoring, you probably would be pretty
disappointed and never buy that Pinot Noir again. I think if there is anything
that we are trying to push, it's just that it should be made from apples and a
specific apple.
TEM: And If you're going to experiment, then you experiment, but you start with
intentions, I guess.
LL: You can push the boundaries, but now it’s something else. It can be great,
it can be whatever it is, it's just a whole other class. It's something else.
It's not a wine cooler.
TEM: As you were talking about Jolly Rancher, I was thinking about wine coolers.
I always like to ask people what it is that they feel proud about in the work
that they do. What makes you feel proud at the end of the day, at the end of the
year, at the end of whatever time frame? What makes you proud about the work you do?
LL: I think I love everything we're doing in the cider space. I really love
fermenting. I think for me, the biggest thing is just the people. It is an
amazing feeling to work with good friends, new friends, and create an
environment where people honestly feel comfortable, I hope. I think if people
cared more about the people they work with, the world would be a much better place.
TEM: That's a nice ending. Thank you.
00:01:00